The Horror of Identity with “Enemy” Director Denis Villeneuve
Denis Villeneuve, the director of “Enemy”, “Prisoners”, and “Incendies”, speaks about the influences on his new film, from “2001: A Space Odyssey” to “The Planet of the Apes”.
Denis Villeneuve, the director of “Enemy”, “Prisoners”, and “Incendies”, speaks about the influences on his new film, from “2001: A Space Odyssey” to “The Planet of the Apes”.
Veronica Mars gets technology right; The five things that separate The Grand Budapest Hotel from the rest of Anderson’s films; The five things you need to know about technology and media; An interview with Walter Murch; Reviewing last night’s Scandal episode.
Jason Bateman talks about directing, working with kids, and shaking up his nice-guy image for an R-rated comedy.
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don’t need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
An excerpt from Steven Awalt’s new book on “Duel”, the made-for-television movie that launched Steven Spielberg into feature filmmaking.
The death of modern malls; Matthew Weiner talks Mad Men; Spike Lee is coming to Ebertfest; Nicolas Cage on film critics and being famous; Daze and Confused and growing up.
Spike Lee will present a screening of “Do the Right Thing” at Ebertfest 2014 to commemorate the film’s 25th anniversary.
An interview with J.P. Donleavy; The art of watching and writing about documentaries; More details about Ebertfest released; Kurtwood Smith on his acting career; A defense of 300: Rise of an Empire.
A half-hour documentary about David Milch’s Western drama “Deadwood,” which premiered ten years ago this week on HBO. Written by Matt Zoller Seitz, edited by Steven Santos, narrated by Jim Beaver.
Bob Calhoun uses a new book, “Shock It to Me: Golden Ghouls of the Golden Gate”, to track down the details of the horror movies of his childhood.
“True Detective” finale; coverage of the True/False film festival; the case against Wes Anderson; a case for Wes Anderson; inside the mind of a psychopath
Robert Rodriguez adapts the George Clooney-Salma Hayek vampire thriller for his El Rey network.
Wes Anderson talks about the sources behind “The Grand Budapest Hotel”, dining with his cast every night on location, and the comic gifts of Ralph Fiennes.
Chaz writes to Roger about attending the Oscars without him.
Three new network dramas premiere in the next two weeks and two of them are actually worth a look.
An update on fundraising for a statue of Roger Ebert in Champaign, IL.
Ebertfest sneaks the names of a few guests in anticipation of announcing the full lineup.
The CNN documentary series “Chicagoland” looks at Chicago’s problems with violence and school reorganization.