Bright Wall/Dark Room April 2021: Why Wouldn’t I Believe You by Sophia Stewart
An essay by Sophia Stewart about The Leftovers, as excerpted from the latest edition of Bright Wall/Dark Room.
An essay by Sophia Stewart about The Leftovers, as excerpted from the latest edition of Bright Wall/Dark Room.
An appreciation of Tangerine Dream’s score for Michael Mann’s Thief and how it changed the industry.
A recap of last night’s Academy Awards.
In memory of Genie Grant, wicked stepmother.
An article about the winners of the 2021 Film Independent Spirit Awards.
Every creator involved in Frankenstein has become a mad doctor themselves, each adaptation reflecting their particular obsessions and traumas.
An article about the 2021 Bentonville Film Festival, set to run from Tuesday, August 3rd, through Sunday, August 8th.
A review of Netflix’s Shadow and Bone, based on the books by Leigh Bardugo.
Our predictions for the winners at Sunday night’s Academy Awards.
A review of Rutherford Falls, a new sitcom series premiering on Peacock.
An interview with Michael Greyeyes about his performance in the new Peacock series, Rutherford Falls.
A tribute to the late Monte Hellman, director of Two-Lane Blacktop, The Shooting, and more.
Gregory Nava speaks about his relationship with Stanley Kubrick, professionally and personally.
A review of the new PBS docuseries Philly D.A., which premiered first at Sundance and airs on 4/20.
The first floor in a series of essays about the significance of the month of April in the author’s life.
An excerpt from a new e-book by the fine folks at Seventh Row.
On the anniversary of Selena’ Gomez’s death, a fan remembers what she was, and what she represented.
An interview with Gregory Nava, the director of Selena, about the film’s production and legacy in light of what would have been Selena’s 50th birthday.