Night Always Comes
Blake
Eli Roth
Eli Roth
Eli Roth Movie Reviews
78/52
Himself
Clown
Frowny the Clown
Raiders!: The Story of the Greatest Fan Film Ever Made
Himself
Inglourious Basterds
Sgt. Donny Donowitz
Borderlands
Director
Thanksgiving
Director
The House with a Clock in Its Walls
Director
Death Wish
Director
Cabin Fever
Writer (original screenplay)
Knock Knock
Director
The Green Inferno
Producer
Cabin Fever
Directed by
Blog Posts That Mention Eli Roth
Waxing Roth: Define “failure”
Thumbnails 10/9/15
Bruce Campbell’s Horror Film Festival Highlights
Basterd ancestry
Are these America’s most prominent filmmakers?
The fillet of fests
Home Entertainment Guide: October 2024
Like and Survive: Horror Cinema’s Anti-love Affair with Podcasting
The Best Horror Films of 2023
Home Entertainment Guide: January 2023
Angelo Badalamenti (1937-2022)
Death Game: A Grindhouse Classic Returns to Theaters
Just Another Step on the Journey, Man!: 1983’s Underrated NYE Comedy, Get Crazy
Venice Film Festival 2021: Last Night in Soho, Inferno Rosso
It’s About Us: The Legacy of “Bonnie and Clyde”
SXSW 2017: “Madre,” “Us and Them,” “Most Beautiful Island”
Sundance 2017: Midnight Madness
Hell to Pay: Indie Horror Icon Larry Fessenden on Wendigos and Ugly Americans
Home Entertainment Consumer Guide: December 17, 2015
2015 Fall Movie Preview
Thumbnails 7/23/15
A Conversation About Sundance 2015
Sundance 2015: “The Witch,” “It Follows,” Park City at Midnight
Sundance 2015 Interview: The Cast and Producers of “Knock Knock”
TV Review: “Gracepoint,” “Stalker” Define Problems with Network Television
Hot and Cold: Netflix’s “Hemlock Grove” and CBS’s “Extant”
Happy birthday, “Blood Feast”: digging into the guts of the very first “splatter” film
