Inside Llewyn Davis
"Inside Llewyn Davis" is the most satisfyingly diabolical cinematic structure that the Coens have ever contrived, and that's just one reason that I suspect it…
Ernest Borgnine ("Marty"), Oscar-winner for Best Actor, 1955.
Edward Copeland announces the results of his third annual Oscar survey, this year devoted to the best and worst choices for Best Actor, 1927 - 2006. Survey participants chose Marlon Brando, Jack Nicholson, Robert De Niro, Anthony Hopkins, Tom Hanks and Jeremy Irons among the best best actors, but guess for which films? Worst best actors included Dustin Hoffman, Russell Crowe, Jack Nicholson, Tom Hanks and Denzel Washington.
My own choices are below, after the jump...
Maybe Brando and Nicholson do overact a little, but their characters are both born performers. You feel you're seeing the essence of these men -- not just Brando and Nicholson, but Vito Corleone and R.P. McMurphy.
2) Sean Penn, "Mystic River" The least nuanced actor on the planet (yes, Rob Schneider exhibits greater subtlety) never met a moment he couldn't overplay. And still his characterizations are hollow or opaque.
4) Laurence Olivier, "Hamlet" "The story... of a man... who could not... make up... his mind." Shallow interpretation of the play and the character. They say he was great onstage. This film is only one notch above his hilarious rabbi in Neil Diamond's "The Jazz Singer."
5) Dustin Hoffman, "Rain Man" Stunt acting at its showiest. It's great when he jumps the fountains in front of Caesar's Palace, though. Oh, wait. That was Evel Kneivel.
Gerardo Valero sees the potential for a good remake in "Escape from New York."
Erik Childress looks at the first awards of the season and their possible impact on the Oscar race.
The first in a monthly series of video essays about unloved films, Scout Tafoya's video essay is an appreciation of "...
Omer Mozaffar reflects on "12 Years a Slave."