xXx: Return of Xander Cage
The last forty minutes of the movie do come together in a pretty diverting way.
He sits like a man taking a hearing test, big headphones clamped over his ears, his body and face frozen, listening for a faraway sound. His name is Gerd Wiesler, and he is a captain in the Stasi, the notorious secret police of East Germany. The year is, appropriately, 1984, and he is Big Brother, watching. He sits in an attic day after day, night after night, spying on the people in the flat below.
The flat is occupied by a playwright named Dreyman (Sebastian Koch) and his mistress, the actress Christa-Maria Sieland (Martina Gedeck). Wiesler (Ulrich Muehe) first saw Dreyman at the opening of one of his plays, where he was informed by a colleague that Dreyman was a valuable man: "One of our only writers who is read in the West and is loyal to our government." How can that be? Wiesler wonders. Dreyman is good-looking, successful, with a beautiful lover; he must be getting away with something. Driven by suspicion, or perhaps by envy or simple curiosity, Wiesler has Dreyman's flat wired and begins an official eavesdropping inquiry.
He doesn't find a shred of evidence that Dreyman is disloyal. Not even in whispers. Not even in guarded allusions. Not even during pillow talk. The man obviously believes in the East German version of socialism, and the implication is that not even the Stasi can believe that. They are looking for dissent and subversion because, in a way, they think a man like Dreyman should be guilty of them. Perhaps they do not believe in East Germany themselves, but have simply chosen to play for the winning team.
Wiesler is a fascinating character. His face is a mask, trained by his life to reflect no emotion. Sometimes not even his eyes move. As played in Muehe's performance of infinite subtlety, he watches Dreyman as a cat awaits a mouse. And he begins to internalize their lives -- easy, because he has no life of his own, no lover, no hobby, no distraction from his single-minded job.