Imagine an "R" rated "Lassie" by way of "Spartacus." That's Kornél Mundruczó's "White God," a brutal but stirring fantasy about street dogs rising up against…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
NBC's American Odyssey attempts to woo viewers who have given up on the networks for cable but it misses its mark.
The video of 2014's memorable "Remembering Roger" panel at Ebertfest.
An interview with "Woman in Gold" director Simon Curtis.
An interview with Victor Levin, director of 5 to 7.
Errol Morris names his best movie; Celebrity impersonators on Twitter; Rise of Cryptopticon; Rise of the Christian film; Scientology's final say on "Going Clear."
The conversation about Woody Allen's personal and professional lives intertwining continues, but to what end?
A collection of online writings in the last year about Roger Ebert.
The strange unraveling of Cinderella; Kimmy Schmidt skewers empowerment culture; Charles Grodin's fine art of reaction; Putting "use" back in fair use; Yoga pants are ruining women.
A look at recent releases on Netflix and Blu-ray, including "Life Itself," "Annie," "Into the Woods," "The Lady From Shanghai," and more.
Abel Ferrara on "Ms. 45"; Advice "Deadwood"-style; Why "The Jinx" could be bad for documentaries; "Life Just Is" is worth a look; Joan Scheckel on The Technique.