Nerve wants to be a cautionary tale about the perils of desiring fame through social media, but it isn’t willing to go to the darker…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The latest and greatest on Blu-ray and streaming services, including "The Killers," "While We're Young," "Home," "Maggie," "Danny Collins," and more!
The epic uncool of Philip Seymour Hoffman; How "Selma" got smeared; The fantasy fueling "Sniper"'s popularity; Paradise in Palm Springs; Looking back at "Before Sunrise."
Writer, director, and producer Paul Mazursky dies at 84.
Tom Shales looks at "Carson on TCM," a weekly series of shows culling great Carson interviews.
Marie Haws: Remember the Old Vic Tunnels? I did some more sniffing around and you'll never guess where it led me. That's right - into the sewer system! But not just any old sewer, oh no... it's the home of a famous forgotten river flowing beneath Fleet Street; the former home of English journalism.So grab a flashlight and some rubber boots as we go underground to explore "mile after mile of ornate brickwork" and a labyrinthine of tunnels which reveal the beauty of London's hidden River Fleet. (click images to enlarge.)
The Grand Poobah shared the following recently and which struck me as just the thing to put in here - for it amounts to someone inventing a moving still akin to those seen on the front page of Harry Potter's famous newspaper."You know how people sometimes say that jazz is the only truly American art form? Animated GIFs are like the jazz of the internet: they could only exist, and be created and appreciated, online. That said, PopTart Cat is not exactly on par with Thelonious Monk. But photographer Jamie Beck and motion graphics artist Kevin Burg may have finally found a way to elevate the animated GIF to a level approaching fine art, with their "cinemagraphs" -- elegant, subtly animated creations that are "something more than a photo but less than a video." - fastcodesignAnd sadly, they won't work in here; Movable Type doesn't like animated gifs. It's easily solved however, just visit Far Better Than 3-D: Animated GIFs That Savor A Passing Moment to see an assortment in play!
The Grand Poobah writes: "be there or be square...."(click to enlarge)
All lists of the "greatest" movies are propaganda. They have no deeper significance. It is useless to debate them. Even more useless to quarrel with their ordering of titles: Why is this film #11 and that one only #31? The most interesting lists are those by one person: What are Scorsese's favorites, or Herzog's? The least interesting are those by large-scale voting, for example by IMDb or movie magazines. The most respected poll, the only one I participate in, is the vote taken every 10 years by Sight & Sound, the British film magazine, which asks a large number of filmmakers, writers, critics, scholars, archivists and film festival directors.
1. The Night of the Hunter, 1955
That one at least has taken on a canonical aspect. The list evolves slowly. Keaton rises, Chaplin falls. It is eventually decided that "Vertigo" is Hitchcock's finest film. Ozu cracks the top ten. Every ten years the net is thrown out again. The Sight & Sound list at least reflects widespread thinking in what could be called the film establishment, and reflects awareness of the full span of more than a century of cinema.
The IMDb list of "250 Top Movies of All Time" is the best-known and most-quoted of all "best movie" lists. It looks to be weighted toward more recent films, although Keith Simonton, who is in charge over there, tells me they have a mathematical model that somewhat corrects for that. Specifically, it guards against this week's overnight sensation shooting to the top of the list on a wave of fanboy enthusiasm. Still, the IMDb voters are probably much younger on average than the Sight & Sound crowd. To the degree the list merely reflects their own tastes back at them, it tells them what they already know.
Q. I just watched "Cloverfield" and found the shaky-cam ruined the movie for me! I know it was supposed to give the feeling of being there, but I felt the director took it WAY too far. As you noted in your review, Hud "couldn't hold it steady or frame a shot if his life depended on it." Not only did it make me ill, but it ruined the whole movie for me.
Herewith, a belated salute, on the occasion of the sailing of the revamped "Poseidon," to the late, great Shelley Winters. At a party of movie geeks on a rainy Seattle night -- the evening of her death (January 14, 2006) -- I hoisted a scotch in her memory and toasted some of her greatest moments -- which, as it turned out, seemed to revolve around death and water. Not only was she a terrific actress (in comedy and drama), but she is responsible for some of the most memorable liquid exits in movie history. Consider:
Q: Re: "Glory Road" and coach Don Haskins. Thought you would be interested to know that Mr. Haskins received roughly $375,000 for the movie. The players received about $7,500 apiece. When Haskins found out how little the players received, he insisted that his portion be divided evenly amongst all. Everyone then received roughly $37,000, including Mr. Haskins. What a man. Leta Mohrman, El Paso, Texas
Stanley Kubrick, one of the greatest of film directors, and perhaps the most independent and self-contained, is dead at 71. The creator of "2001: A Space Odyssey" died early Sunday morning at his country home north of London.
Ebert's Best Film Lists1967 - present
Q. Agreed with your comment on the MPAA ratings of "Showgirls" (NC-17) and "Seven" (R). I think it was Shelley Winters who said, "If a man cuts off a woman's breast, it's rated R. If he kisses it, it's an X." -- Steven Bailey, Jacksonville Beach, Fla.
CHARLOTTESVILLE, VA -- He arrives dressed in an elegant dark blue pinstripe suit, but he will not be mistaken for a banker. There is a touch of the raffish about Robert Mitchum, a sense that the rules were made to amuse him.
Women all over the country are going to see "Thelma and Louise" with a rare enthusiasm, despite Hollywood's conventional wisdom that men make most of the moviegoing decisions. To understand how they're connecting with the movie, look at an afternoon screening in a theater like the 900 N. Michigan complex. The largely female crowd isn't made up of teenagers, but more mature generations - married women, professionals, older women, visitors to the city. They love this movie. They cheer it, they get teary-eyed, and they bring their friends to see it.
In 1954, a young New York actor named Paul Mazursky hung up his beret, combed his hair into a ducktail and went to a casting call for a movie named "The Blackboard Jungle." He got the job. He left behind a bohemian existence in Greenwich Village and set out for Hollywood and an acting career that somehow never quite got off the ground.
It's finally happened. I went to interview a star, and she was eating caviar and drinking champagne. To be sure, Carol Lynley was wearing a kiddie sweater instead of a mink negligee, but what the hell. They probably don't even make mink negligees anymore.
HOLLYWOOD -- "Make a reservation at Le Bistro," Groucho Marx said over the telephone. "And make sure you make the reservation. I went there once with some schnook from Life who thought you could walk right in. And for God's sake make sure it's even open on Sunday. If it isn't, make a reservation at the Polo Lounge of the Beverly Hills Hotel. To me it's just a device to get a free lunch. If I mention 'Minnie's Boys,' it will be strictly by accident. And for God's sake don't bring along any gadgets, any of that electronic gear...."
"Rebellion is one thing," Ossie Davis said. "Rebellion works some times in some places. But year in and year out, you can get more mileage out of wisdom and cunning. If you can't outfight the man, outsmart him."