The film breathes exhilarating life into its tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
May 2014 Blu-rays of note.
An epic essay on an epic comedy of the 1960s, now given deluxe treatment on Blu-ray and DVD by Criterion.
Arthur Penn, whose "Bonnie and Clyde" was a watershed in American film, died Tuesday night at 88. Gentle, much loved and widely gifted, he began life in poverty and turned World War Two acting experience in the Army into a career that led to directing in the earliest days of television and included much work on Broadway.
View image Looming large.
I believe it was Gordon Gecko who proclaimed: "Ham is good!"
The "Wall Street" supervillain (superhero?) was not advocating violation of any dietary laws, of course, but simply stating a fact: Sometimes Big Acting can be quite enjoyable. Other times, of course, it can be cringe-worthy, irritating, risible, embarrassing. Only you can decide which is which. For you.
Take for example the story of Faye Dunaway as Joan Crawford in "Mommie Dearest" -- she of "No wire hangers!" and "Eat your meat!" (both precursors of "I drink your milkshake!"). Pre-release publicity reports claimed that Dunaway was giving a serious dramatic performance. But from the very first screenings it was painfully (yet fasciatingly) clear that somebody was going off her rocker -- but which actress was it: Crawford or Dunaway?
Performances pitched at the balcony, or the moon, always take the risk of falling somewhere between "tour-de-force" and "trying way too hard," virtuosity and showboating. And opinions may very about where they come down. (See "A Journey to the End of Taste," below.) You may wince at the Method nakedness displayed by Marlon Brando or James Dean in some of their most intense emotional moments ("You're tearing me apart!"). Or you may rejoice at even the most outré dramatic and/or comedic efforts of Daniel Day-Lewis, Sean Penn, Johnny Depp, Bette Davis, Jack Nicholson, Klaus Kinski, Will Ferrell, Robert De Niro, Christopher Walken, Kevin Spacey, Whoopi Goldberg, Al Pacino, Robin Williams, Dustin Hoffman, Barbra Streisand, Nicolas Cage, Ben Stiller, Tyler Perry, Owen Wilson, Gene Wilder... while others find them excruciating, overwrought or unintentionally campy.
The bigger the performance, the bigger the risks. Or maybe not. Just look over the history of Oscar nominations for acting.
TORONTO--"You wanna know what the difference is between a comic and a comedian?" Milton Berle was asking.
TORONTO - "You wanna know what the difference is between a comic and a comedian?" Milton Berle asked. Yeah, I wanna know.
Milton Berle made his acting debut in 1914, at the age of 6, as the little newsboy in Charles Chaplin's "Tillie's Punctured Romance." Since then, he has been in vaudeville, radio and the movies and in 1948 became television's first big star.
I. Tuesday afternoon at Le Bistro, a restaurant in Beverly HillsBEVERLY HILLS, 1972 -- Groucho Marx was wearing blue jeans, Hush Puppies, a brown sport shirt buttoned at the neck, an ancient tweed sport jacket, a cap and a pepper and salt overcoat. He peered into the gloom of Le Bistro, seeking out familiar faces, while a young lady introduced herself to me. “My name is Erin Fleming. I'm Mr. Marx's secretary."