In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_6svpck54r9k0mz9xcfzswrxcin

Winter Sleep

The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…

Thumb_oax1ohn3ltgrf3vlh5ff28w0yjn

Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Jill Clayburgh: In Memory

Primary_eb20101106people101109982ar

I don't believe Jill Clayburgh would have approved of the headline over her obituary in The New York Times, which said she "starred in feminist roles." They were roles. They were real roles, for a real woman. How did that make them feminist?

Continue reading →

Bleakness infuses films at Sundance

PARK CITY, Utah --The theme song of the opening days of this year's Sundance Film Festival should have been "Get a Job." I've seen six American films so far, all of them about characters mired in aimless unemployment or unsatisfying work. Oh, and I saw a Czech film too: That was about a man in Prague who is kicked out of the philharmonic and reduced to playing his cello at funerals.

Continue reading →

Barbara Hershey goes from quirky to 'Shy'

CANNES, France -- Sometimes at the Cannes Film Festival you see a masterpiece that strikes you in a certain way, and you are sure it wi ll be a success all over the world. Sometimes you are right, but sometimes you are wrong. Last year at Cannes, I saw "Shy People," a bold and unusual drama about a chic magazine writer who ventures into the bayous of Louisiana to seek a long-lost cousin who turns out to be a cross between a swamp woman and a force of nature. The film had such an effect on me that I was sure it would be felt by others.

Continue reading →