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78/52

Testament to the power and mastery of a movie that, nearly 60 years on, still feels as modern, complex and cutting-edge as any film released…

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Professor Marston & the Wonder Women

A timely affirmation of feminine power—of the ways in which female wisdom and strength can charge hearts and minds, influence culture and inspire others to…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Peyton Kennedy on "American Fable"; Dale Robinette's iconic "La La Land" photo; Hollywood diversity report; "I Am Not Your Negro" and white film critics; ReFrame tackles gender inequality.

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Michael Gibson on Musicality; "Six" outshines award contenders; "Logan" is a great superhero story; Transgender doll based on Jazz Jennings; "Brown Girls" offers voice to queer women of color.

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The Hollywood studio mentality in one paragraph

Kimberly Peirce.

The first time I interviewed Martin Short (one of my "SCTV" idols) in 1987, he told me an anecdote about his experiences in Hollywood. A typical encounter with studio executives would begin with something like, "Wow! We love you! You did this and you did that and we think you're great!" Followed, almost immediately, by, "And now that we've hired you, don't do that stuff anymore because that's not what we want from you. Just do it our way."

Here's director Kimberly Peirce on why nearly ten years elapsed between her last feature, "Boys Don't Cry," and her latest one, "Stop Loss": ... After "Boys Don't Cry," Hollywood came and offered me some very expensive projects, some very good stuff.... I had one project that I got almost to fruition, "Silent Star," about the unsolved murder of [the silent movie director] William Desmond Taylor in the 1920s. It was wonderful - the story of how Hollywood was built on an unsolved murder and a cover-up. We had it cast and ready to go, and the studio ran the numbers and they said, "We want to make it for x amount of money." And I said, Uh, all right. But then they said, "We don't want to spend that much, we want to spend 10 million dollars less." I said, Well, I don't know if that's a good idea, but I'll go ahead and make the adjustments I can. And they said, "Well, we don't want to see the version of the movie that we're prepared to pay for. We want to see the version we're not willing to pay for."Perfectly circular bureaucratic logic -- so beautiful in its impeccable shape that Franz Kafka and Joseph Heller must be laughing so hard they're crying....

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Indies in the spotlight

PARK CITY, Utah -- Sundance has become the nation's most important film festival through an unbeatable combination: inconvenient location, lousy weather, overcrowded screening facilities, municipal hostility, and a 10-day lineup of films that in some cases will never be heard of again.

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'Election,' 'Boys Don't Cry' take Spirit

SANTA MONICA, Calif. - "Election," "Boys Don't Cry" and "Being John Malkovich" were multiple award winners Saturday at the 15th annual Independent Spirit Awards - but 79-year-old Richard Farnsworth stole the show while winning as best male lead for his work in "The Straight Story."

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