Goodbye to Language
Jean-Luc Godard's latest free-form essay film may be, more than anything else, a documentary of a restless mind.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four sisters. I lost two brothers and two sisters, so I have become a mother figure to some of my nieces and nephews. Those who live in town usually join with us in celebrating the day.
A few years ago, I set up an internet alert to inform me whenever Muhammad Ali was mentioned in the news. At the time, he wasn't doing anything newsworthy. It was years after the Michael Mann movie. A decade since his appearance in the Opening Ceremony of the 1996 Olympic Games. Nearly three decades since his last fight. But, for whatever reason, he was on my mind. The strange thing I discovered is that he was in the news, somewhere in the world, every single day. Every single day. That's his astonishing mystique. For whatever reason, he was and is on everyone's mind. The most popular of all basketball players, Michael Jordan, is in the news for shoe sales. The most popular of soccer players, Pele, is in the news for soccer. The most popular of all cricket players, Imran Khan, is in the news for politics. Muhammad Ali, however, is in the news for being Muhammad Ali. Rather, he is in the news for who Muhammad Ali was and is to us. And, in Pete McCormack's wonderful "Facing Ali," we learn who he is and was for the fighters he faced.