American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Sheila writes: Exciting news for Roger Ebert fans: Director Steve James ["Hoop Dreams"] is planning a full-length documentary about Roger Ebert called "Life Itself", which will follow the trajectory of Ebert's career as well as examine his vast influence on the movie industry and American culture as a whole. Martin Scorsese is executive producer. The documentary is being financed partially through a fundraising campaign hosted by Indiegogo, and we wanted to let Ebert Club Members know that the "Life Itself" filmmakers are offering a special deal EXCLUSIVE TO EBERT CLUB MEMBERS who pledge to this campaign!
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
Marie writes: Once upon a time when I was little, I spent an afternoon playing "Winne the Pooh" outside. I took my toys into the backyard and aided by a extraordinary one-of-a-kind custom-built device requiring no batteries (aka: artistic imagination) pretended that I was playing with my pals - Winnie the Pooh and Tigger too - and that there was honey nearby; the bumble bees buzzing in the flowerbeds, only too happy to participate in the illusion. And although it didn't have a door, we too had a tree - very much like the one you see and from which hung a tire. A happy memory that, and which came flooding back upon catching sight of these - the animation backgrounds from the new Winnie the Pooh; thank God I was born when I was. :-)
(click to enlarge images)
(click to enlarge)
CANNES, France-- Forty-one years after his "Breathless" swept in the French New Wave and helped herald the modern era of filmmaking, Jean-Luc Godard is back at the Cannes Film Festival with a new movie. The onetime enfant terrible is now 71, and the 1960s "film generation" that marched under his banner is old and gray, but his very presence inspires a certain trembling in the air as the 54th Cannes festival opens. The giants are back in town.
PARK CITY, Utah -- "Girlfight," Karyn Kusama's story of a tough Brooklyn girl who wants to be a boxer, and "You Can Count on Me," Kenneth Lonergan's story of an orphaned brother and sister who uneasily get to know each other as adults, shared the grand jury prize for best dramatic film here Saturday at the Sundance Film Festival. In addition, Lonergan won the Waldo Salt screenwriting award, and Kusama was picked as best director.