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Penguins of Madagascar

The pacing is so zany, the jokes are so rapid-fire and the sight gags are so inspired that it’s impossible not to get caught up…

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Horrible Bosses 2

The law of diminishing returns, which has afflicted so many comedy sequels over the years, strikes again in “Horrible Bosses 2,” further proving that just…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Alejandro Jodorowsky says Hollywood is killing cinema; Why you should read Stefan Zweig; What the death of home pages means for the future of news; Bordwell on screenwriting; The rules of cinematic foreplay.

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Drive: An under-the-hood manual

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When I saw, and immediately wrote about, Nicolas Winding Refn's "Drive," I knew almost nothing about it except the title and that Ryan Gosling was in it. I remembered that it had received acclaim at Cannes back in May (I did not recall that Refn had won the best director prize) and, as it turns out, I hadn't seen any of Refn's previous films -- although "Bronson" and "Valhalla Rising" had been recommended to me by friends. Since then, I've been reading up on "Drive" and have discovered so many fascinating little tidbits (many of which confirm my first impressions) that I decided to put together this little primer.

I recommend that you refrain from reading this until you've seen the movie, though.

Cited influences include: Grimm's Fairy Tales, John Hughes ("Sixteen Candles," "Pretty in Pink"), Sergio Leone, Alejandro Jodorowsky...

On the title font:

Refn: Me and Mat Newman, who edits all my movies, we stole that in the editing table from "Risky Business."

-- from an interview with Scott Tobias at The A.V. Club

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He's his mother's right arm. And her left.

May Contain Spoilers

I have a small childhood memory indirectly associated with Alejandro Jodorowsky's "Santa Sangre"(1989). I remember well about how it drew the attention of people when it was introduced in South Korea in 1994. One tagline was simple brutal honesty that I still recall with smile: "This is no doubt the cult!" And here is another nice one that makes my eyeballs still roll: "Today, You will be infected by the cult!"They were blatant enough to draw the attention from an 11-year-old boy, but the problems were that (1) I was too young to get the chance to watch it, and (2) my hometown was a local city far from Seoul. However, that was a blessing in disguise. They showed the audiences the butchered version with a considerable amount deleted due to local censorship. In those days, bold, controversial films like "The Cook, The Thief, His Wife, & Her Lover" were never introduced to South Korean audiences unless they were heavily chopped. You probably think it is kind of weird considering some uncompromisingly violent South Korean movies made nowadays, but it did happen a lot when I was young.

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Unwild about scary 'Harry'

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Q. After reading your review of "Harry Potter and the Order of the Phoenix," I note that you are the only critic I know of who feels that the increasing darkness of the series is a barrier, as opposed to a credit, to the series. I wonder, do you feel that a lot of critics' enthusiasm for "darkness" and "realism" in today's fantasy filmmaking is misplaced? Do you yearn for more innocence and joy in films where it is clearly an asset and not a liability?

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Interview with Alexandro Jodorowsky (1989)

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Where do I start? With his tattooed lady? With how he hugged the mongoloid children to coax performances from them? Perhaps with the elephant's funeral, when the enormous casket went tumbling down the hillside, and the shanty people tore it open to get at the fresh meat inside?

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