Can insanity, normalcy and creativity co-exist in a successful artist? “Frank” offers a unique, funny, entertaining look at what proves to be an unanswerable question.
Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder.
Chaz is the Publisher of RogerEbert.com and a regular contributor to the site, writing about film, festivals, politics, and life itself.
Matt Zoller Seitz is the Editor-in-Chief of RogerEbert.com, TV critic for New York Magazine, the creator of many video essays about film history and style, a finalist for the Pulitzer Prize in criticism, and the author of The Wes Anderson Collection. His writing on film and TV has appeared in The New York Times, Salon, New York Press, The Star-Ledger and Dallas Observer. (Banner illustration by Max Dalton)
Tom Shales served as TV critic of The Washington Post for 25 years, winning the Pulitzer Prize for criticism in 1989. He left the once-proud paper in Ruins. Shales also spent two decades reviewing movies for NPR's Morning Edition and is the coauthor of two bestsellers: "Live from New York," on "Saturday Night Live," and "Those Guys Have All the Fun," on ESPN. No wonder he's tired.
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Named after the David Cronenberg film, this is the blog of former RogerEbert.com editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
White privilege, lived.
An FFC Review of Kim Beyong-seo and Jo Eui-Seok's South Korean thriller "Cold Eyes."
A report from the Los Angeles protest against police violence in light of the events in Ferguson, MO.
An FFC looks at the horrible situation in Ferguson, MO and what it says about where we are and where we're going.
Robin Williams, 1951-2014.
This past Wednesday, German documentary filmmaker Harun Farocki passed away at the age of 70. An admirer and student remembers him, and reflects on the meaning of his work.
The latest in the Unloved video series looks at "Transcendence," starring Johnny Depp, Rebecca Hall, and Paul Bettany.
"Only Lovers Left Alive" is Top 5 Jim Jarmusch for sure; a long, warm bath in sensuality, with flashes of Wong-Kar Wai amid the ennui. In its deliberate slowness, it also ends up feeling like requiem for 20th century film storytelling, and for the pre-digital world.
RogerEbert.com contributor Godfrey Cheshire's landmark two-part series "Death of Film/Decay of Cinema" anticipated many of the changes that would later shake the medium to its core.
The first official day of San Diego Comic-con, Thursday, I sat down with the award-winning Broadway producer Vivek J. Tiwary for an interview about his first graphic novel, "The Fifth Beatle: The Brian Epstein Story," which he is adapting and producing into a feature film.