TIFF 2026: Arrested Memory, Ladies and Gentlemen, Brian Mulroney, Vintage Violence
Silly revenge thrillers, archival pastiche, and fast-fashion fanatics stud the festival’s Midnight section.
Silly revenge thrillers, archival pastiche, and fast-fashion fanatics stud the festival’s Midnight section.
A dispatch on three Midnight Madness releases from Toronto.
Should be studied for how it properly builds a documentary around its archival footage.
TV shows at a film festival? There were some good ones this year.
On three essential profile docs out of this year’s TIFF.
Make no mistake: This is one of the most video game-inspired cinematic experiences you could possibly have.
Two movies with little in common other than they played TIFF. And you should see ’em.
“Possible Love” exists in this space of potential upheaval, devastatingly turning relatable human emotion into possible tragedy.
On three movies about the theatre, films that showcase incredible work from Julianne Moore, Andrew Scott, and Sarah Paulson.
On three true stories from TIFF that smother strong acting work in ineffective filmmaking and storytelling choices.
It’s a project that clearly adores Highsmith and her elegant murders but doesn’t quite solve the mystery of how to replicate what she did so well.
On three films from the Gala Presentations of TIFF, including one from the director of The Father.
On three films from Toronto’s Special Presentations vertical.
Everything we’ve covered out of this year’s TIFF.
Everything we’ve covered at this year’s Venice Film Fest.
On three very different historical dramas at TIFF about the impact of violence on community and connection.
Comedies about dead dads, childless couples, and horny Brits premiered at TIFF this year.
On two unusual TIFF premieres about identity and masculinity.