Can You Ever Forgive Me?
Can You Ever Forgive Me? comes from a place of understanding and love that few other biopics do, and it makes this difficult character a…
Kathleen Murphy and Richard T. Jameson present their much-anticipated annual list of indelible memories-at-24-fps, Moments Out of Time, at MSN Movies. They've been sifting through the fragments of movie-time for these shining moments for many years, beginning in Movietone News and continuing through the 1990s in Film Comment.
Beginning when I was in high school, I would read through them religiously, looking for moments I'd treasured, too -- or maybe even ones I hadn't spotted or properly appreciated. Then I'd re-read, again and again, as if I were holding gems to the light and examining them through a magnifying glass, for the sheer pleasure of how they caught the rays. I'd pore over every turn of phrase, teasing out the meanings, even for the movies I hadn't seen with my own eyes (yet).
Here are a few of my favorites for 2007:
Hungry for more? Devour all of 'em here.
In "Ratatouille," the remembrance of things past courtesy of the eponymous dish: the critic's flashback to childhood
When Bourne (Matt Damon) wonders why the CIA operative (Julia Stiles) who once set him up is helping him now, she answers with what passes for a declaration of love in the killing environs of "The Bourne Ultimatum": "You were ... hard for me." ...
In "The Assassination of Jesse James by the Coward Robert Ford," the pebbles sliding away from the vibrating rail as Jesse's boot rests there, waiting to stop his last train
Leaving her friend to wait out her abortion, Otilia (Anamaria Marinca) attends an obligatory birthday party in "4 Months, 3 Weeks and 2 Days." The camera holds and holds as she sits frozen, claustrophobically hemmed by babbling guests, until she and we nearly explode with tension
The first getting-to-know-you-and-your-music duet in "Once," one of the purest distillations of rapport ever
In "Starting Out in the Evening," confronted by a redheaded beauty (Lauren Ambrose), the elderly gentleman (Frank Langella) involuntarily covers his face with his hand -- to hide his age or to shield his eyes from her bright heat
Night birds: Chigurh, the raven, and the gunshot reverberating off the otherwise deserted bridge, after which the two bend their separate ways in "No Country for Old Men" ...
"There Will Be Blood": Killing God in a two-lane bowling alley: "I'm finished."...
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Mike Flanagan's new horror series based on the Shirley Jackson novel, The Haunting of Hill House.
Peter Bogdanovich, film historian and filmmaker, talks about Buster Keaton, the subject of his new documentary.
A look back at one of the best films of all time.