Eastwood’s conceptions of heroism and villainy have always been, if not endlessly complex, at least never simplistic.
A review of the newest film by Quentin Tarantino.
The top 50 shows of the 2010s.
The best films of 2019, as chosen by the staff of RogerEbert.com.
This message came to me from a reader named Peter Svensland. He and a fr...