The first thing Paul Schrader wanted to talk about after the Ebertfest screening of his ambitious 1985 “Mishima: A Life in Four Chapters” was his youthful fascination with the primitive rite of “suicidal blood sacrifice.” That’s what he said his script for “Taxi Driver” was rooted in — and, no wonder, since he had been raised a strict Calvinist (is that redundant?) and, as he put it, “Christianity is a blood cult” that glorifies sacrificial suicide. In “Mishima” it’s the act of seppuku; in “Raging Bull” it’s boxing; in “The Last Temptation of Christ” it’s crucifixion… To writer-director Schrader, they’re all manifestations of the same bloody thing.

Jim Emerson

Jim Emerson is the founding editor of RogerEbert.com and has written lots of things in lots of places over lots of years. Mostly involving movies.

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