Prime Video Has What Batman Fans Need in Caped Crusader
Bruce Timm is back with a retro version of Batman that fans will almost surely adore.
Bruce Timm is back with a retro version of Batman that fans will almost surely adore.
Netflix has another adaptation of The Decameron. It’s atrocious.
Taika Waititi’s take on the Terry Gilliam classic is filled with fun and uneasy drama.
How can something so beloved also be so painful to so many? Pearlman isn’t here to really answer that question, and the series can’t quite get there, even with their version of his own words.
While the blending of the two stories doesn’t always flow as well as it needs to, it’s impossible to not be intrigued by both Maddie and Cleo’s separate lives.
Sir Anthony Hopkins leads a bloody, adults only take on the Roman Colosseum that works just enough to entertain.
Strong performances let the writers take big risks, visualizing therapeutic concepts in ways that would feel trite or over-the-top in a less-skilled production.
The Emperor, I’m afraid to admit, has no clothes.
Netflix is back for another NFL season pregame with another reality series about one of the toughest positions in sports.
It feels like the writers threw darts at a joke board and threw them in the script like Mad Libs.
A shockingly entertaining diversion, the best in the series since the film that helped make Murphy one of the biggest stars of his generation.
As “Fly Me to the Moon” opens in theaters, here are some of our other favorite films about NASA’s Apollo program and the first manned expeditions to the moon.
The latest and greatest on Blu-ray and streaming includes Godzilla x Kong: The New Empire, Ghostbusters: Frozen Empire, The Ministry of Ungentlemanly Warfare, and Criterion editions of Bound, Blue Velvet, and The Underground Railroad.
TV’s best show is back.
Rashida Jones and Hidetoshi Nishijima star in an unexpectedly creative hit for Apple TV+ this Summer.
It’s comfy like an old sweater without much of a lesson or moral to get in the way of its overarching sense of warmth.
Orphan Black is back! Sorta.
Harris takes an avant-garde approach to his storytelling, making the film more of an exploration of his creative process than the stage play itself.
The story never overstays its welcome and instead unfolds into one of the most entertaining shows of the year.
Clearly inspired by the success of Narcos, this is a dull, dumb show.