Do you know the biggest sin of the new Halloween? It’s just not scary. And that’s one thing you could never say about the original.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A preview of this weekend's upcoming Golden Globes awards ceremony.
A recap of the 88th Annual Academy Awards.
An FFC on recent comments by Michael Eisner.
An interview with the legendary star of the new I'll See You in My Dreams.
A preview of dozens of films being released this Summer.
A discussion with the RogerEbert.com writers on the legacy of Sophia Loren.
Jana Monji reports on iconic actress Sophia Loren being honored at the 2014 AFI Fest.
Ebertfest receives a 2014 grant from the Hollywood Foreign Press.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
John Turturro, actor/writer/director of Fading Gigolo, discusses his career, working with Woody Allen, and cinema's difficulty in capturing true intimacy.
Alyssa Rosenberg considers the women on the big screen and the small screen in the past year.
Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at io9.com.
Marie writes: I love photography, especially B/W and for often finding color a distraction. Take away the color and suddenly, there's so much more to see; the subtext able to rise now and sit closer to the surface - or so it seems to me. The following photograph is included in a gallery of nine images (color and B/W) under Photography: Celebrity Portraits at the Guardian."This is one of the last photographs of Orson before he died. He loved my camera - a gigantic Deardorff - and decided he had to direct me and tell me where to put the light. So even in his last days, he was performing his directorial role perfectly, and bossing me around. Which was precious." - Michael O'Neill
Orson Welles, by Michael O'Neill, 1985