Bad Samaritan (2018)
The Mortal Instruments: City of Bones (2013)
Season of the Witch (2011)
Marie writes: I've been watching a lot of old movies lately, dissatisfied in general with the poverty of imagination currently on display at local cinemas. As anyone can blow something up with CGI - it takes no skill whatsoever and imo, is the default mode of every hack working in Hollywood these days. Whereas making a funny political satire in the United States about a Russian submarine running aground on a sandbank near a small island town off the coast of New England in 1966 during the height of the Cold War - and having local townsfolk help them escape in the end via a convoy of small boats, thereby protecting them from US Navy planes until they're safely out to sea? Now that's creative and in a wonderfully subversive way....
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
"Killing Bono" available On Demand (through various cable outlets -- check your listings) October 5. In theaters November 4.
by Odie Henderson
"Every time a friend succeeds, I die a little." -- Gore Vidal
I was the only patron at my screening of "U2: Rattle and Hum" back in 1988. Sitting in the cavernous darkness of my old 'hood theater, with its still-unmatched speakers and the ghosts of my childhood movies, I fell in love with the band U2. Beforehand, I had a casual familiarity with their music, and while I liked some of the songs, I wouldn't have considered myself a fan. I went because the black and white cinematography looked gorgeous in the clips I'd seen on TV. I wasn't disappointed. Phil Joanou's documentary is achingly beautiful. That, along with Bono and the New Voices of Freedom gospel choir's performance of "I Still Haven't Found What I'm Looking For," cemented my diehard fandom. Once, in a Dublin pub, armed with numerous imbibed pints of Guinness and a dare from the guitar-playing busker who'd been entertaining the crowd, I sang "All I Want Is You" to a crowd of swooning lasses standing in front of me. That evening ended well.
Neil McCormick, the protagonist of "Killing Bono" would hate that I started this piece fawning over the murder victim of the film's title. After all, he feels trapped in Bono's shadow and decides he has to kill him. "Killing Bono" opens in 1987, with a stalkerish Neil (Ben Barnes) driving his car to Bono's latest Dublin appearance. Rambling to the camera that he was originally entitled to everything Bono has, Neil crashes his car before exiting with his gun drawn and pointed at his prey. "I always knew I'd be famous," he tells us.
Cue the flashback machine! Suddenly, it's 1976, and McCormick stands in a high school hallway reading a billboard notice. His classmate, Paul Hewson (Martin McCann), is holding auditions for his new band, The Hype. Despite being in Neil's band, The Undertakers, Neil's brother Ivan (Robert Sheehan) tries out for second guitar. Much to Neil's chagrin, Hewson loves Ivan's work and wants him for his band. Neil objects--Ivan's really good and essential to Neil's success--so he tells Paul no deal.
"Of few deaths can it be said that they end an era, but hers does. No other actress commanded more attention for longer, for her work, her beauty, her private life, and a series of health problems that brought her near death more than once." - Roger, from Elizabeth Taylor, a star in her own category
From the Big Kahuna: Yes, this is the front of the Virginia Theater in Champaign-Urbana, where Ebertfest is held every year. The old marquee was showing its age, and will be replaced by the time Ebertfest 2011 is held on April 27-30. Update: I read in the Champaign-Urbana News-Gazette that the new marquee is still in design, but park officials expect it to be a better complement to the theater's Italian Renaissance-style architecture and resemble the 1921 original marquee. When concepts are finalized, they will go before the park board for approval.
The Grand Poobah writes: "be there or be square...."(click to enlarge)