The whole thing is completely nonsensical, even by the standards of what one might reasonably expect from a Fantasy Island movie.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An in-depth preview on the classic noir films that will be playing at Chicago's Music Box Theater from Sept. 6-12.
The staff pays tribute to Harry Dean Stanton.
A recap of the 2016 TCM Classic Film Festival.
Blu-ray reviews for films including Charley Varrick.
A preview of Noir City 7, starting this weekend in Chicago.
Writer Dan Callahan responds to our Movie Love Questionnaire.
Glenn Kenny highlights the picks of Blu-ray releases for the month of November
Recently I found myself, for the fifth time, among the denizens of a place that celebrates my favorite cinematic genre: the historic Castro Theatre in San Francisco, home of the Film Noir Foundation's 11th Annual Noir City Film Festival. The 27-film retrospective, which ran Jan. 25 to Feb. 3, featured newly restored prints, thanks to the Film Noir Foundation, as well as obscure films that may not have been seen in decades.
After a career as a leading actor that began with "The Last Picture Show" in 1971 and has included four Academy Award nominations, Jeff Bridges seems poised to be nominated again for his pitch-perfect performance as Bad Blake, a broken-down country singer in "Crazy Heart." His performance has been singled out in the best actor category of many film critics' year-end awards. In my review elsewhere in this section, I note: "It's like Bad has lived so long and been through so much that he's too worn out to add any spin to exactly the way he feels."
The Van Helsing Quiz at Sergio Leone and the Infield Fly Rule.
Some of you thought my "101 102 Movies You Must See Before You Die" list was a little too, well, rigorous. I still think it only covers the basics of what you need to have seen (and appreciated) in order to hold your own in intelligent conversations about movies these days. Maybe that makes me (shudder) an "elitist." Ahem. I think it just means I have standards.
But whether you find my list off-putting or not, you may enjoy "The Van Helsing Quiz" over at one of my favorite personal movie blogs, Sergio Leone and the Infield Fly Rule, which you will also find in my permanent list of favored links in the column at right.
Owner/proprietor Dennis Cozzalio posted the quiz itself back in April. There, you can see it in its un-filled form. But a month later, Cozzalio himself submitted to the quiz, and his answers are even more entertaining and provocative than the naked quiz.
To understand the special gift of John Frankenheimer, it is better to start with his stories instead of his movies. Yes, he made some of the most distinctive films of his time (and began and ended as one of the most gifted directors of drama on television) but the films were mostly serious, and Frankenheimer was a very funny man.
Q. I checked out the "Eyes Wide Shut" DVD to see if the flub I noticed in the movie had been fixed. It had! I'm referring to the appearance of a crew member (or maybe Kubrick himself) reflected in one of the stainless steel shower stall posts in Ziegler's bathroom. This occurs at the end of Dr. Harford's examination of the overdosed woman... just as Ziegler says something about "this being between just you and me." On the DVD, where once there was a reflection there is now a blank white space. It makes me wonder if on the next DVD of Kubrick's "Spartacus," those soldiers with wrist watches will no longer know the time of day. (David Kodeski, Chicago)
FREEPORT, Grand Bahama Island -- Sam Peckinpah's "The Wild Bunch," which is possibly the most violent film ever made, stirred up a bitter controversy here. Film critics splint into many camps at an extraordinary press conference, and even co-stars William Holden and Ernest Borgnine seemed slightly squeamish about the movie. But just about everyone agreed that "The Wild Bunch" will be this summer's top box-office draw, for better or worse.