If Beale Street Could Talk
Jenkins’ decision to let the original storyteller live and breathe throughout If Beale Street Can Talk is a wise one.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The state of female directors in Hollywood; Legacy of "Goodfellas"; "Year of women" at box office; What Dogme 95 did for women directors; Chuck Norris vs. Communism.
Chicago music critics and "Sound Opinions" radio co-hosts Jim DeRogatis and Greg Kot are hosting an evening devoted to their "best rock movies of all time" Friday at the Pabst Theater in Milwaukee. They're not saying yet what those will be (besides, let's face it, "This Is Spinal Tap" and "Stop Making Sense" and "The Girl Can't Help It" and...). But DeRogatis was happy to eliminate some of the usual suspects in advance during an interview with the Onion A.V. Club Milwaukee. A few choice comments:
On "The Last Waltz" (Martin Scorsese, 1978): "I'm from the punk era. I believe what's great about rock 'n' roll is community and the tearing down of boundaries. And the basic thrust of 'The Last Waltz' is that these are superheroes so much better than you.."
On "U2: Rattle and Hum" (Phil Joanou, 1988): "I'm not saying it's dishonest. It absolutely shows what they are. They are big, superstar rock stars full of pretension. But for the same reason I have no desire to sit through 'Saw VII'--because torture porn makes my stomach hurt--so does 'Rattle & Hum.' [Laughs.] U2 are assholes, the movie shows them as assholes, but that doesn't make it any fun to watch."