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Cannes 2022: Stars at Noon, Leila’s Brothers, Pacifiction
Reintroducing Sparks: Edgar Wright and Russell and Ron Mael on The Sparks Brothers
My Happy Place Part V: Helping Others
Lighting the Torches of Others: A Celebration of Gloria Steinem
Mothers Doing the Extraordinary: Peter Hedges on Ben is Back
A Labor of Love: John C. Reilly on The Sisters Brothers
It’s Not the Violence: The Dowdle Brothers on “No Escape”
Cannes 2015: “Dégradé,” “Marguerite & Julien,” “The Grief of Others,” “Arabian Nights, Volume 2” and a showcase for diversity
Inception theories: Two key shots and others’ thoughts
Two reviews: “The Lives of Others” & “Climates”
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
The 11 Best Body-Swap Movies, Ranked
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
Chaz Ebert Launches National Awards to Honor Acts of Forgiveness, Empathy, Compassion, and Kindness as Siskel & Ebert Approaches 50th Anniversary
NYFF 2025: The 63rd Edition Comes to a Close
Your Life Matters: Jane Goodall (1934-2025)
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
Why “I’m Still Here” Will Always Be a Powerful Watch
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
Fantastic Fest 2025: CAMP, Bad Haircut, Theater is Dead
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
Lauren Melinda Receives the Inaugural Chaz Ebert Phenomenal Person in Film Award
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Scarlet, Arco, Little Amélie or the Character of Rain
TIFF 2025: Fuze, Glenrothan, The Last Viking
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Palestine 36, The Choral, Peak Everything
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
An Ode to the Unanswered Questions in “Agnes of God”
Short Films in Focus: Joe Hunting on “The Reality of Hope”
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
The Best American Actor of His Generation: David Strathairn on “A Little Prayer”
“When the World Broke Open: Katrina and its Afterlives” Launches at MOMA
“Gears of War: Reloaded” Writes a New Chapter in the Console Wars
The Most Significant Movie Ever Made
The Personal Becomes Universal in Moving, Funny “Long Story Short”
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025: “Tabi to Hibi,” “Hair, Paper, Water…,” “Yakushima’s Illusion”
Josh Larsen on the Return of Cinema Interruptus
Apple TV+’s Meditative and Epic “Chief of War” Demands To Be Seen
The Spies of “Eyes of Wakanda” Can’t Be Stopped in Vibrant New Disney+ Animated Series
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
Cinema Femme Short Film Festival 2025: Highlights & Hope for the Future of Film
One of Us: Malcolm-Jamal Warner (1970-2025)
Everywhere You Go Has Valet: “Clueless” at 30 (Or Whatever)
KVIFF 2025: Awards and Wrap-Up
