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Interviews
Being in the Moment: W. Bruce Cameron and Cathryn Michon on “A Dog’s Perfect Christmas”
TV/Streaming
It Gets Harder Before It Gets Better: Netflix’s “North of North” Returns For a Warm Second Season
Interviews
Everyone Is Invited To the Party: Jordan Firstman on “Club Kid”
TV/Streaming
“Bass x Machina” Brings Black Justice to the Steampunk Old West
Interviews
A Gorgeous Man of Basketry: Eleanor Wilson and Alex Huston Fischer on “Wicker”
Festivals & Awards
CIFF 2026: Saints, A Common Story, The Riverbank
Festivals & Awards
CIFF 2026: Let Us Through, Dear Ancestors, A Bit of Light and Love is the Monster
Interviews
An Act of Devotion: Travis Knight on “Wildwood”
TV/Streaming
Sexy, Gripping Folk Horror Series “Yaga” Is a Surefire Hit
Features
Change the Conversation: When Movies Talked About Mental Health
Festivals & Awards
CIFF 2026: A City in the Forest, Going for Home, While We Are Here
Features
A Very Strange Love Affair: Hitchcock’s “Notorious” Turns 80
Interviews
The Things That Make You Who You Are: John Turturro on “The Only Living Pickpocket in New York”
Interviews
A Knock at the Door: Cristian Mungiu on “Fjord”
Interviews
Editing As Music: An Interview with “The English Patient” Craftsman Walter Murch
Video Games
“Castlevania: Belmont’s Curse” Whips Landmark Franchise Back into Shape
Festivals & Awards
NYFF 2026: At Night, Foreign Travel, Joy of Joys
Interviews
Female Filmmakers in Focus: Paloma Schneideman on “Big Girls Don’t Cry”
Interviews
The Possibility of Forgiveness: Reed Van Dyk, Boyd Holbrook, Hiam Abbass, and Kenneth Branagh on “Atonement”
Interviews
Enshrouded in Darkness: Lance Oppenheim, Merritt Wever, and Skyler Gisondo on “Primetime”
Chaz's Journal
Two Perfect Films I Saw at TIFF 2026
Features
Watching “The Insider” in 2026: How Comparisons Compel Us to Protect Democracy
Festivals & Awards
Fantastic Fest 2026: Pathetic Fallacy, Upiro, Kick On, What Happened to Doris?
TV/Streaming
Netflix’s Reboot of “A Different World” Needs to Let Go of the Past
Festivals & Awards
TIFF 2026: Furies, Re/Pair
Festivals & Awards
TIFF 2026: Hombre Al Agua, Paradise Lost, Faith
Festivals & Awards
TIFF 2026: Julián, Sunburn, In Alaska
Festivals & Awards
Venice 2026: The Biennale College
Festivals & Awards
Venice 2026: The Basics of Philosophy, Diane in the Loop, Look Back
Festivals & Awards
TIFF 2026: 20 World Premieres We Can’t Wait to See This Year
Interviews
Enslaved Spirits: Maya Annik Bedward on “Black Zombie”
Festivals & Awards
Venice Film Festival 2026: Ink, Moragheb, Too Much Sugar
Tributes
The Places Underneath Words: Cassandra Wilson (1955-2026)
Interviews
It’s Time to Grow Up: Joe Swanberg and Cory Michael Smith on “The Sun Never Sets”
Tributes
Visible and Powerful: Gloria Steinem (1934-2026)
Interviews
Be Smart About the Way You Change: Spike Fearn and Angourie Rice on “Finding Emily”
Tributes
Live Wire: Michael Wright, 1956-2026
Tributes
I Will Always Love You: Dolly Parton (1946-2026)
Features
We Were Warned: On “Terminator 2: Judgment Day” at 35
Features
Locarno Film Festival 2026 Wrap-up
Features
Locarno 2026: You Don’t Belong Here, Who Is Still Alive, Sixteen Moments of My Life, Letter From My Village
Interviews
I Was Compelled to Revisit: Rory Kennedy on “Freefall: A Reckoning For Boeing”
Festivals & Awards
Locarno Film Festival 2026: 17 Urgent Hollywood Blacklist Films
MZS
Memories of Helen: The Heroic Despair of “John Wick”
Interviews
A Man of Letters: Kent Jones on “Late Fame”
TV/Streaming
Apple TV+’s “Ted Lasso” Gets Back on the Pitch For a Welcome Season 4
Chaz's Journal
Miracle on the Golf Course
Features
The People from the Sea: How “The Odyssey” is About America
TV/Streaming
“Sterling Point” Might Be Your Next Messy Teen Drama Escape
TV/Streaming
A-List Cast Continues to Make “Lioness” the Queen of the Streaming Jungle
Festivals & Awards
Fantasia 2026: Ferine, The Eyes, The Mutation
Interviews
Advance to Paradise, Retreat to Hell: Kiyoshi Kurosawa on “The Samurai and the Prisoner”
Tributes
What Could Have Been: Kaylee Hottle (2007-2026)
Festivals & Awards
Fantasia 2026: You Are the Film, Someone’s Daughter, Los Vampires
Chaz's Journal
Chicago, Home of Great Music and Newspapers
Chaz's Journal
Flashback: Chaz Ebert on Watching a Christopher Nolan Movie During the Pandemic
Chaz's Journal
Celebrating the Life of George E. Johnson, Sr. (1927-2026), a Friend and Builder of Black Possibility
Festivals & Awards
MUBI Fest 2026: Better Together
TV/Streaming
“Ride or Die”: Two Best Friends, Too Many Lies, and a Good Reason to Get a Fake Passport
Books
Fascinating New Angle on Legendary Career Explored in The Dreamer’s Path by Brent Simon
Interviews
This Is Not Art, This Is Life: Ross McElwee on “Remake” and “Sherman’s March”
Festivals & Awards
KVIFF 2026: The Guest, Dao, The Match
Interviews
You Have to Commit: Robert Richardson on “Robert Richardson: The White Devil”
Features
Fifty Years After the Bicentennial, A Declaration of Independence for American Filmmakers
Roger Ebert
10 of Roger Ebert’s Favorite Movies About America
Festivals & Awards
Annecy 2026: The City of Animation
Features
Retreating From The Elephant: The Perpetually Impending Demise of Indie Cinema
DVD/Blu-Ray
Two Incredible 4K Box Sets Target Loyal Fan Bases
Festivals & Awards
Tribeca 2026: The Documentaries
Black Writers Week
Hard Knocks and Rebirth in the Bayou: Alfre Woodard in “Passion Fish”
Black Writers Week
Apple TV’s “Sugar” Reaches for the Stars in Grounded, Moving Second Season
Black Writers Week
A Father Learning Beside His Children: What Jiu-Jitsu Taught Me About Fatherhood
Black Writers Week
What is the State of the Black Movie Star?
TV/Streaming
Paramount+’s “The Agency” Expands Its Scope With An Exhilarating Second Season
Black Writers Week
What the 2025 Federal Arts Cuts Mean for Documentary Filmmaking
Black Writers Week
Film Criticism’s Crisis in the Letterboxd Era
Black Writers Week
