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Cannes 2022: Stars at Noon, Leila’s Brothers, Pacifiction
Reintroducing Sparks: Edgar Wright and Russell and Ron Mael on The Sparks Brothers
My Happy Place Part V: Helping Others
Lighting the Torches of Others: A Celebration of Gloria Steinem
Mothers Doing the Extraordinary: Peter Hedges on Ben is Back
A Labor of Love: John C. Reilly on The Sisters Brothers
It’s Not the Violence: The Dowdle Brothers on “No Escape”
Cannes 2015: “Dégradé,” “Marguerite & Julien,” “The Grief of Others,” “Arabian Nights, Volume 2” and a showcase for diversity
Inception theories: Two key shots and others’ thoughts
Two reviews: “The Lives of Others” & “Climates”
Cinema Is My Church: Rian Johnson on “Wake Up Dead Man: A Knives Out Mystery”
Short Films in Focus: Off the Face of the Earth (with Michael Pantozzi)
Reflections on the 2025 Tailinn Black Nights Film Festival
Ted Danson Goes Back to School in the Charming Second Season of Netflix’s “A Man on the Inside”
I’m Just An Actor: Rebuilding Roles with Josh O’Connor
Right Now, It’s Important: An Ode to S.E. Hinton’s Teenagers
We Live in Time: Joachim Trier on “Sentimental Value”
“My Undesirable Friends: Part I – Last Air in Moscow” Announced as Winner of the 2025 Indie Film Site Network Advocate Award
Hard Places: Max Walker-Silverman on “Rebuilding”
Female Filmmakers in Focus: Sepideh Farsi on “Put Your Soul on Your Hand and Walk”
Criterion Mobile Closet Steered Through Chicago International Film Festival Amid An Intense Political Weekend
CIFF 2025: One Golden Summer, Before the Call, Adult Children, Only Heaven Knows
CIFF 2025: The Book of Sijjin & Illiyyin, The Holy Boy, Anything That Moves
The Breadth of Humanity: Yorgos Lanthimos & Will Tracy on “Bugonia”
The 11 Best Body-Swap Movies, Ranked
Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
Chaz Ebert Launches National Awards to Honor Acts of Forgiveness, Empathy, Compassion, and Kindness as Siskel & Ebert Approaches 50th Anniversary
NYFF 2025: The 63rd Edition Comes to a Close
Your Life Matters: Jane Goodall (1934-2025)
Just Be Sure You’re Right: Watching “All the President’s Men” in 2025
Why “I’m Still Here” Will Always Be a Powerful Watch
NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
Fantastic Fest 2025: CAMP, Bad Haircut, Theater is Dead
The First Responders of the Internet: Lili Reinhart on “American Sweatshop”
TIFF 2025: A Canadian Viewpoint on the Toronto International Film Festival at 50
Lauren Melinda Receives the Inaugural Chaz Ebert Phenomenal Person in Film Award
“Gen V” Rivals “The Boys” in a Sharper and Sleeker Season Two
TIFF 2025: Scarlet, Arco, Little Amélie or the Character of Rain
TIFF 2025: Fuze, Glenrothan, The Last Viking
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
TIFF 2025: Wake Up Dead Man, Rental Family
TIFF 2025: Palestine 36, The Choral, Peak Everything
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
50 Years Later, “Sholay” Remains a Captivating South Asian Epic
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
An Ode to the Unanswered Questions in “Agnes of God”
Short Films in Focus: Joe Hunting on “The Reality of Hope”
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
The Best American Actor of His Generation: David Strathairn on “A Little Prayer”
