El Camino: A Breaking Bad Movie
A project that feels true to its source, a well-crafted epilogue for a beloved character who vividly understands the concept of consequences.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An extensive look at what films will be playing the 22nd "Rendez-Vous with French Cinema," which runs from March 1-12 at the Film Society of Lincoln Center's Walter Reade Theater in New York.
An interview with Victor Levin, director of 5 to 7.
Motion picture film lives after all, er, maybe; what makes a person fall in love with film festivals; breaking down the great direction on Breaking Bad; Alain Resnais' You Ain't Seen Nothin' Yet; Night of the Hunter & childhood fear; great dads in pop culture not named Atticus Finch; Girls, Season 38.
Marie writes: It's that time of the year again! The Toronto International Film Festival is set to run September 6 - 16, 2012. Tickets selection began August 23rd. Single tickets on sale Sept 2, 2012. For more info visit TIFF's website.
Haneke, Riva, Trintignant
• Chaz Ebert at Cannes
Who will win the Palme D'Or? I expect top prizes for Michael Haneke for his film, "Amour," with Jean-Louis Trintignant and Emmanuelle Riva, but I am terrible at the awards-guessing game. I think "Amour" is one of the very best films in the festival with its harrowing portrait of the mental and physical deterioration of an esteemed piano teacher after a series of strokes, and the husband who must bear witness to this as he takes cares of her.
Haneke's film is so mature and well done that its emotional impact builds quietly, from the core. You marvel at how he layers the scenes of a marriage so naturally that you know the couple has been together for decades in a relationship that is comfortable and emotionally enriching. And so when they make their choices you are right there with them emotionally until the bitter end, and there is no judgment about the choices made.
It's another day for umbrellas and rain slickers, not to mention sweaters. The Riviera is just not delivering the usual idyllic sunshine and warm Mediterranean breezes this year. The film market stands that border the beach in little cabanas have their doors closed for protection from the wet, and their inviting tables and deck chairs on the sand are vacant and dripping.
The first film in competition this morning, "You Ain't Seen Nothin' Yet" by Alain Resnais, didn't deliver either, and I can only hope that the title is prophetic, and that the revered 90-year-old director ("Hiroshima Mon Amour," "Last Year at Marienbad") has some future masterpieces in store for us yet.
For "You Ain't Seen Nothin' Yet," Resnais assembled a large cast of famous French actors with whom he's worked over the years, including Sabine Azema, Anne Cosigny, Mathieu Amalric, Michel Piccoli and Lambert Wilson. This distinguished cast was supplemented by the young stage actors of the fledgling theater company Colombe. The visual techniques and acting style of the stage are pertinent to the look of "You Ain't Seen Nothin' Yet." In the film's press book, Resnais says, "In my films, I'm constantly looking for a theater-style language and musical dialogue that invites the actors to get away from the realism of everyday life and move closer to a more offbeat performance."
In just a week the French Riviera will come alive with the hoopla of the 65th Cannes International Film Festival, running this year from May 16 through 27. Despite the international proliferation of film festivals, like it or not, Cannes remains the biggest, most hyped, glitziest and most diverse event the world of film has to offer, the envy of every other festival.
As if the world at large also trembled at the import of the approaching festivities, previous Cannes festivals have been prefaced by volcanic eruptions, hurricane-force storms, national strikes, and bomb threats. What can we expect this year, when the festival officially becomes a senior citizen? Don't look for any rocking chairs along the Croisette, for one thing. Judging by the lineup of major directors represented in the Competition and other official sections, it's more likely that major revelations will be rocking the Palais. And if it's like other years, we can expect the festival will manage to rock a headline-grabbing major controversy or two as well.
For the fourth year in a row, Cannes will open with an American production, Wes Anderson's "Moonrise Kingdom," guaranteeing that name stars including Bruce Willis, Bill Murray, Edward Norton, Frances McDormand, and Tilda Swinton will be gracing the red carpet on Wednesday, May 16 for a glamorous kick-off. Judging by the trailer available online, the real stars may be the large cast of kids in a comedy/drama that looks to be strong on surreal wackiness.
Even a quick glance at the list of films in competition yields an eye-popping number of famous names, including David Cronenberg (Canada), Michael Haneke (Austria), Abbas Kiarostami (Iran), Ken Loach (UK), Cristian Mungiu (Romania), Alain Resnais France), Carlos Reygadas (Mexico), Walter Salles (Brazil), and many more. This competition could be a veritable Olympics of the cinema gods...or not, as sometimes happen, because even world-class filmmakers and certified masters can disappoint.
"Of few deaths can it be said that they end an era, but hers does. No other actress commanded more attention for longer, for her work, her beauty, her private life, and a series of health problems that brought her near death more than once." - Roger, from Elizabeth Taylor, a star in her own category
Take a breath and be brave. Very, very brave.... smile....Behold the "Willis Tower" in Chicago (formerly the Sears Tower) - the tallest building in North America and its famous attraction, The Skydeck. In January 2009, the Willis Tower owners began a major renovation of the Skydeck, to include the installation of glass balconies, extending approximately four feet over Wacker Drive from the 103rd floor. The all-glass boxes allow visitors to look directly through the floor to the street 1,353 feet (412 m) below. The boxes, which can bear five short tons of weight (about 4.5 metric tons), opened to the public on July 2, 2009.