Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
Jeremie Renier
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The Kid with a Bike (2012)
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Guy
Roger Ebert -
Potiche (2011)
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Laurent Pujol
Roger Ebert -
Lorna's Silence (2009)
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Claudy
Roger Ebert -
Summer Hours (2009)
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Jeremie
Roger Ebert -
Private Property (2007)
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Thierry
Roger Ebert -
L'Enfant (2006)
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Bruno
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Cannes 2019: Frankie, Parasite, Matthias & Maxime
A review of three Cannes premieres.
Cannes 2017: "L'amant double," "Good Time," "12 Days"
Three reviews from Cannes, including the latest from Francois Ozon and the Safdie brothers, along with a special out of competition screening.
Black designers show the French a thing or deux
For those of us who missed our calling as jet setters, socialites or fashion models along comes the edifying, spritely documentary "Versailles '73: American Runway Revolution" to show us how much work it is to be spontaneously fabulous.
Nearly 40 years ago, in late November of 1973, something rather momentous happened at the Opéra Royal on the grounds of the King's old digs outside Paris. In the course of a fashion show that Women's Wear Daily dubbed "The Battle of Versailles," boldly assertive American runway models -- many of whom were what we now call African-American -- wore sporty, comfortable American designer clothes with such, well, panache that the absolute supremacy of French haute couture was dented for good.
A teacher wins the Cannes film festival
Director Laurent Cantet accepts the Palme d'Or, surrounded by his cast.
For the first time in 21 years, a French film has taken the top prize at the Cannes film festival, and in a rarity for Cannes, the Palme d’Or was awarded unanimously. The prize could have easily been named “The Golden Apple” rather than the The Golden Palm since it went to “The Class” ("Entre Les Murs"), the Laurent Cantet film about a young teacher who tries to reach his class of primarily immigrant children in a school on the outskirts of Paris. Confronted with their apathy and sometimes outright hostility, he questions them in a Socratic fashion until they begin to ask themselves if perhaps an education might be relevant to them. This film moved me to tears and so of course I thought that, in the grand tradition of Cannes, it had no chance of winning the top prize.
