This is rare, nuanced storytelling, anchored by one of Brad Pitt’s career-best performances and remarkable technical elements on every level. It’s a special film.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The latest on streaming and Blu-ray, including Support the Girls, Mission: Impossible - Fallout, Galveston, and The Magnificent Ambersons.
An interview with director Carl Franklin, on the occasion of his film "One False Move" receiving a special presentation at Chicago's upcoming Noir City festival.
A review of the new FX series, "Pose."
The movie questionnaire and 2015 reviews of RogerEbert.com film critic Susan Wloszczyna.
A critic looks back on the films that formed the way she reads cinema and life.
A review of USA’s promising “Complications,” TNT’s dour “Proof,” and ABC’s pretty awful “The Astronaut Wives Club”.
The movies' greatest pop music moments; Filmmakers can use drones; Lena Dunham's advice series; The genius of "Lolita"; How men talk about relationships in rom-coms.
Writer Susan Wloszczyna responds to our Movie Love Questionnaire.
CANNES, France--The best film at Cannes so far this year was made in 1979. That's the melancholy conclusion of Variety and the Hollywood Reporter, the daily trade journals printed at the festival and I didn't have to read the papers to figure that out.
CANNES, France-- Forty-one years after his "Breathless" swept in the French New Wave and helped herald the modern era of filmmaking, Jean-Luc Godard is back at the Cannes Film Festival with a new movie. The onetime enfant terrible is now 71, and the 1960s "film generation" that marched under his banner is old and gray, but his very presence inspires a certain trembling in the air as the 54th Cannes festival opens. The giants are back in town.
The streamlined 32nd Chicago International Film Festival opens Thursday, with fewer films but better quality control. Emerging from a year of boardroom turmoil and an attempted coup, festival founder Michael J. Kutza has retained his post as director but adopted some of the changes long called for by the event's critics.