In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb game night ver3

Game Night

Game Night is a nearly perfect entertainment for adults over a certain age.

Thumb monster2

Monster Hunt 2

A small, but noteworthy amount of charm sets this disposable bauble apart from other films that came before it.

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Journal Archives
Other Articles
Blog Archives

Reviews

Catch That Kid

  |  

This is not, to be sure, a movie as good as those two wonderful titles. But it's plenty good, and it has the same buried theme: Anything a guy can do, a girl can do, too. It stars Stewart as Maddy Phillips, an athletic young girl whose father Tom (Sam Robards) once climbed Mount Everest. He had a nasty fall on the way down, which is why he discourages Maddy from climbing, while her mother Molly (Jennifer Beals) forbids it. But as the movie opens, she's scaling the local water tower.

Maddy has two best friends. Austin (Corbin Bleu) is a computer geek. Gus (Max Thieriot) is a mechanic at the go-cart track operated by her father. They both have crushes on her, although at one point, when she's hanging in danger high in the air during the heist, Gus complains that he never even got a chance to kiss her once.

Advertisement

A crisis comes into her life with all the melodrama of a silent movie. One night while her dad and mom are dancing in the living room, he falls to the floor and says, "I can't feel my legs!" It's paralysis -- whether from the neck or waist down, we don't learn, but in any event the condition is incurable, except for an experimental procedure offered in Europe; it costs $250,000 the family doesn't have.

Common sense at this point steps in and suggests that if such an operation really existed, Christopher Reeve would already be on site with a charity to help the Toms of the world, but no: Molly the mother is turned down for a loan at the bank where she has installed the security system. The bank president, named Brisbane (Michael Des Barres), is a teeth-gnashing, scenery-chewing villain whose origins go back even before silent films -- back to Horatio Alger, if anybody remembers who that was. Been a while since we've had a banker this evil in the movies.

So the kids take things into their own hands. With Maddy's climbing skills, Austin to hack into the bank's security system and Gus to devise mechanical devices and the getaway, they'll break into the bank vault and steal the $250,000. This is not so easy, since the vault is suspended in mid-air, is surrounded by motion detectors, protected by savage Rotweilers, etc.

The movie is a remake of a Danish film, unseen by me, named "Klatretosen," which was hailed at the Berlin Film Festival. This version, directed by Bart Freundlich and sporting five writing credits, is well-made, straightforward and entertaining. It doesn't bog down in a lot of cute kid stuff but gets on with telling the story, and has some unexpected touches.

For example, the getaway scene with the kids in go-carts. Yes, and the police chase them, shouting on loudspeakers: "You kids in the go-carts! Pull over! You're leaving the scene of a crime." Sure, because any cop seeing kids on a city street in go-carts is instinctively going to link them to a bank robbery.

Stewart is at the center of the movie, stalwart and sure. You may remember her as Jodie Foster's daughter in a more harrowing thriller, "Panic Room" (2002). Corbin Bleu and Max Thieriot, as her two pals, are just plain likable, and the attraction between Bleu and Stewart may be the screen's first example of interracial puppy-love. For that matter, Jennifer Beals is cast as a possibly mixed race mother, and I would not bother to make this point, except to observe that all of a sudden racial categories are evaporating in mainstream movies, and for the first time in history, actors are being cast because they're right for a role, not because they passed an identity check.

"Catch That Kid" doesn't have the flash of "Spy Kids," but it's solid entertainment -- better than "Agent Cody Banks." Faithful readers know that my definition of a good family film is one the parents can enjoy, and you know what? In the middle of the heist scene, we're just about as involved as if the movie starred George Clooney and Julia Roberts. A heist is a heist, and a good one works no matter what.

Advertisement

Popular Blog Posts

Dreams of Africa: The Fantasy Politics of "Black Panther"

A rare superhero fantasy that's plugged into the real world, but that still can't be all things to all viewers.

When Is a Superhero Movie Not Just a Movie? When it is "Black Panther."

An article about the wide-ranging efforts to arrange free screenings for students and young people to see the groundb...

The History of Hollywood's Difficult Women

Difficult is a gendered term fueled by the Hollywood machine and maintained by the belief that actresses aren’t respo...

Why I Stopped Watching Woody Allen Movies

Stop watching movies made by assholes. It'll be OK.

Reveal Comments
comments powered by Disqus