
Features
Saltburn and Subverting the Passing Narrative
A look at how Saltburn plays with the passing narrative of films like Chameleon Street, Gattaca, and The Talented Mr. Ripley.
A look at how Saltburn plays with the passing narrative of films like Chameleon Street, Gattaca, and The Talented Mr. Ripley.
A look back at Peter Weir's best films, on the occasion of his upcoming lifetime achievement Oscar.
A list of the two-and-a-half-star reviews so far posted on RogerEbert.com this year.
A piece on the themes of Andrew Niccol's work in light of the release of Good Kill this weekend.
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
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Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
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Marie writes: When I first learned of "Royal de Luxe" I let out a squeal of pure delight and immediately began building giant puppets inside my head, trying to imagine how it would look to see a whale or dragon moving down the street..."Based in Nantes, France, the street theatre company Royal de Luxe performs around the world, primarily using gigantic, elaborate marionettes to tell stories that take place over several days and wind through entire cities. Puppeteers maneuver the huge marionettes - some as tall as 12 meters (40 ft) - through streets, parks, and waterways, performing their story along the way." - the Atlantic
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In a science magazine I used to read during my high school years, one of my favorite sections was on the science in SF movies. (The magazine is still published; whenever I come across it at the campus book store, it takes me back to when I was less jaded and more anti-social.) It answered my doubts on the climax sequence in "Total Recall" (1990), and pointed out that there were several implausible aspects in the premise of "Jurassic Park" (1993). In case of the movies like "Armageddon" (1998) and "Independence Day" (1996)--well, it didn't require a lot of scientific knowledge to discern that they were brainless.
"I love music so much and I had such ambition that I was willing to go way beyond what the hell they paid me for. I wanted people to look at the artwork and hear the music." - Alex Steinweiss