The Cybermob Rules: It’s Not Videogame Culture That’s Sexist, it’s Culture, Period
Is videogame culture sexist? Sure. But only because the culture itself is sexist. Rowan Kaiser explains.
Is videogame culture sexist? Sure. But only because the culture itself is sexist. Rowan Kaiser explains.
Director Bill Condon talks about telling true stories, and why we are all fascinated with them.
Video essays on Wes Anderson, including all seven chapters of “The Wes Anderson Collection” and all five chapters of “Wes Anderson: The Substance of Style.”
A video essay on Wes Anderson’s second film “Rushmore,” by Matt Zoller Seitz and Steven Santos. Second in a series of seven.
Spike Jonze’s “Her” is a warm and intelligent consideration of our continually evolving relationship with technology.
Oliver Stone talks about the two Roger Ebert reviews that meant the most to him: of “JFK” and “Natural Born Killers.”
Why isn’t “Real Husbands of Hollywood” getting the media attention its ratings merit?
The love and sex Gore Vidal dared not speak; critic Sam Adams is a (James) Franco-phile; the national conversation about sexual assault; a brilliant pop culture quiz; eleven Colorado counties angling to secede.
Aranofsky, Paramount spar over “Noah”; parsing “Chungking Express”; why impassioned female leaders get a bad rap; Oliver Stone, Jamie Foxx to collaborate on MLK biopic; oh, and online we’re all awful.
Forgotten silent star Wallace Reid; Helena Bonham Carter defends ‘The Lone Ranger’; Harry Belafonte sues the King estate; the trouble with Kenan Thompson
“She’s So Unusual” turns 30; how Shel Silverstein’s literary estate is a book-blocker; the body positivity of “Rocky Horror”; if Thomas Friedman wrote breakfast menus; sexual harassment at comic-cons
With excellent performances from Dominic West and Helena
Bonham Carter, “Burton and Taylor” gets to the core of the dynamic
between two Hollywood greats.
Part 1 of a video essay series adapted from RogerEbert.com editor Matt Zoller Seitz’s book “The Wes Anderson Collection. ” This opening chapter is about Wes Anderson and Owen Wilson’s debut feature “Bottle Rocket,” the short that preceded it, and the art that influenced them.
One detail of a film—say, the anklet worn by Barbara Stanwyck in “Double Indemnity”—can tell us more than you might think.
Kiyoshi Kurosawa’s Dreamy sci-fi “Real” and the hilarious “Alan Partridge: Alpha Papa” at the New York Film Festival.
Appreciation of Kumar Pallana, actor, gymnast, card sharp, juggler, yoga instructor, and a charming presence in the films of Wes Anderson.
A festival Roger loved honors him.
Ultra-indie director Cory McAbee (“The American Astronaut,” “Stingray Sam”) talks about making musical sci-fi cowboy movies, writing an opera and the Monkees.
AMC has recaptured the idea of event TV, shows you have to watch when they air. How did they do that?