
Tomorrow There Will Be Fine Weather: A Preview of NYC’s Upcoming Hiroshi Shimizu Retrospective
The upcoming retrospective at MOMI and the Japan Society shines a light on the Japanese filmmaker’s prolific, contemplative works.
The upcoming retrospective at MOMI and the Japan Society shines a light on the Japanese filmmaker’s prolific, contemplative works.
With a new Parisian locale and a recast Claudia, the show continues to deliver vibrant characters and addictively volatile storytelling.
Chaz Ebert is touring with her new book, It’s Time to Give a FECK. Don’t miss this once in a lifetime opportunity to see her in a city near you.
An interview with the director of the intimate and desire-filled Lithuanian film Slow about presenting a complex portrayal of asexuality.
On what could be the best Kurt Vonnegut film adaptation.
A Far-Flung Correspondent looks at the recent Oscar nominee and Ebertfest film.
In honor of its 25th anniversary re-release, we look at the George Lucas movie’s greatest legacy: paving the way for studios to extend their aging franchises by telling origin stories.
Robert Eggers’ third film answers the question, “What would Conan the Barbarian look like if Conan himself directed it?”
The latest on Blu-ray and streaming includes Lisa Frankenstein, The Beekeeper, and Criterion editions of Picnic at Hanging Rock and Dogfight.
Hacks finally returns this week and the Emmy-winning show has never been better.
An interview with the wildly talented writer/director of Drive My Car and this week’s Evil Does Not Exist.
Many beloved films will be celebrating their 25th anniversary this year as one of the best years ever unfolded in 1999. Don’t forget Go.
The writer-director-star of The Feeling That the Time for Doing Something Has Passed talks about sexism, deadpan comedy, casual nudity and resisting the fairytale nature of most movie love stories.
A tribute to the star of McCloud and Battlestar Galactica.
We look back at movies like Boy Kills World whose directors decided to keep tinkering after their debut—for better or worse.
A preview of a local Chicago event that celebrates female and non-binary filmmakers.
Alexander Payne’s Election turns 25 this year. Its legacy has been complicated.
Despite its faults, Dead Boy Detectives seems dead set on providing passable, spectral entertainment.
Sony and Shift Up are about ready to unleash an action/adventure that wears its influences on its bloody sleeves. But you won’t care.
A review of the new spy thriller on FX on Hulu starring Elisabeth Moss, who really can do anything.