An FFC Review of “Cold Eyes”
An FFC Review of Kim Beyong-seo and Jo Eui-Seok’s South Korean thriller “Cold Eyes.”
An FFC Review of Kim Beyong-seo and Jo Eui-Seok’s South Korean thriller “Cold Eyes.”
An interview with Ira Sachs, director of “Love Is Strange.”
“Let’s Be Cops” and Michael Brown; Forgive Damon Lindelof; Stop writing dystopian sci-fi; Reflections on “The Darjeeling Limited”; Temporal anxieties in 2014 films.
A report from the Los Angeles protest against police violence in light of the events in Ferguson, MO.
An FFC looks at the horrible situation in Ferguson, MO and what it says about where we are and where we’re going.
An examination and appreciation of one of Robin Williams’ greatest films, “The Fisher King.”
Chaz Ebert and Steve James will discuss “Life Itself” at the 2014 Chicago Humanities Festival.
There’s nothing selfish about suicide; “Garden State” does not hold up; Looking back at “The Abyss”; America is not for black people; The problem with “Persecuted.”
An interview with the director and subject of “Dinosaur 13”.
Gilbert Gottfried on Robin Williams; Remembering Lauren Bacall; Paying attention; Tyler Ross shines in “The Killing”; Reflections on “Lawrence of Arabia.”
A bi-weekly feature on the best new releases on Blu-ray, streaming services, and On Demand.
The writers of RogerEbert.com reflect on the life, career and death of Robin Williams.
There’s something unique in
writer/director Linklater’s approach to verisimilitude, and it’s particularly
interesting in contrast with other films with which “Boyhood” shares a kinship.
A TV review of TNT’s “Legends” with Sean Bean, Ali Larter and Morris Chestnut.
This is an excerpt from the August 2014 issue of “Bright Wall/Dark Room” on “Joe vs. the Volcano.”
The second part of a feature on the work of Joel & Ethan Coen.