Hype!
Others
Others Movie Reviews
Blog Posts That Mention Others
Cannes 2022: Stars at Noon, Leila’s Brothers, Pacifiction
Reintroducing Sparks: Edgar Wright and Russell and Ron Mael on The Sparks Brothers
My Happy Place Part V: Helping Others
Lighting the Torches of Others: A Celebration of Gloria Steinem
Mothers Doing the Extraordinary: Peter Hedges on Ben is Back
A Labor of Love: John C. Reilly on The Sisters Brothers
It’s Not the Violence: The Dowdle Brothers on “No Escape”
Cannes 2015: “Dégradé,” “Marguerite & Julien,” “The Grief of Others,” “Arabian Nights, Volume 2” and a showcase for diversity
Inception theories: Two key shots and others’ thoughts
Two reviews: “The Lives of Others” & “Climates”
Wisdom of the Sages: Warren Buffet, Deborah Szekely, Buddy Guy, and Pope Francis Show Us the Way
Female Filmmakers in Focus: Dea Kulumbegashvili on April
“Cookie’s Fortune”: A Little Southern Comedy
The Florida Film Festival: An Oasis for Creative Souls
“Expedition 33” Is An Exercise In RPG Artistry
The Dream Within the Fairy Tale: Emilie Blichfeldt on “The Ugly Stepsister”
Chicago Latino Film Festival 2025: Highlights of a Creative Force
Chicago Critics Film Festival Announces Full Schedule, Special Guests
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
“The Last of Us” Returns with a Devastating, Riveting Second Season
A True Sense of the Eerie, or Why I Love the Hell House Films
13 Reviews by Roger Ebert for the 2025 Day4Empathy
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Female Filmmakers in Focus: The Films of Euzhan Palcy
Ebertfest Announces Remaining Films and Special Guests Attending the 2025 Festival
Creating a Meta-Rom-Com: Karen Morey and Terence Chen on “Meet Cute in Manhattan”
Life Sustained by Desire: Alain Guiraudie on “Misericordia”
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Age Has No Expiration When It Comes to Talent
SXSW Film Festival 2025: 42nd Street, The Spies Among Us, Make It Look Real
SXSW Film Festival 2025: Are We Good?, I’m Carl Lewis!, Strange Journey: The Story of Rocky Horror
SXSW Film Festival 2025: The Rivals of Amziah King, Hallow Road, The Dutchman
Prime Video’s “The Wheel of Time” Finally Comes Into Its Own With Season Three
SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners
In “The Handmaid’s Tale,” Women Fight the Darkness—And Are Tempted By It
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
Poetically in Love: Three Declarations of Love in Verse
More Than Rage: Rungano Nyoni and Susan Chardy on “On Becoming a Guinea Fowl”
Women Develop New Models of Heroism in Festival Docs
HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
A Preview of the 2025 Rendez-Vous with French Cinema
A Salute to the Movies That Got Overlooked During Oscar Season
The Timeless Echoes of “The Spirit of the Beehive”
30 Minutes On: “Watership Down”
NBC’s “Grosse Pointe Garden Society” Fails to Grow Much of Interest
Brenda Robinson, Acting President of Film Independent, Set to Preside Over 40th Spirit Awards; Aidy Bryant Cheerfully Returns as Host
A Look at Every Oscar-Nominated Short This Year
Scott Derrickson Dives Deep into “The Gorge”
“Avowed” Brings Personal Characters To An Exciting World
In the Name of Friendship: Matthew Rankin on “Universal Language”
“Anora,” “Shōgun” Win Big with Critics Choice Awards
