Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
Roger Vadim's "The Game Is Over" is a tedious and ridiculous film of great physical beauty, directed with Vadim's unfailing bad taste and photographed by Claude Renoir with breathtaking virtuosity.
In type, it is not unlike the early vehicles in which Vadim starred his former wife, Brigitte Bardot. Indeed, one must look again in many scenes to be sure current wife Jane Fonda is not a post-adolescent reincarnation of France's favorite sexless symbol.
The plot is still another retelling of the "Phaedra" myth, lifted this time from Emile Zola. One wishes "Electra" would come back into style and give everyone a change of pace. But, no, we must watch again as a young woman (Miss Fonda) marries an older man and then falls in love with his son (Peter McEnery).
Her husband, ably played by Michael Piccoli, wouldn't dream of stooping to violence to keep his wife. Instead, in the approved 19th Century French manner, he explains that all of her money is invested in his business. In Euripides' play, the woman commits suicide and the son dies for his sins, but Vadim has a more painful treat in store for us.