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Listen Up Philip

The terrific cast all delves into the material full-bore, which contributes to its peculiar resonance. Perry may hate everyone and everything, but in making a…

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Private Violence

A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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The Devil and Daniel Webster

May Contain Spoilers

Like many tales about the good vs. the evil, the evil mostly steals the show from the good in "The Devil and Daniel Webster" (1941), a cautionary moral tale based on Stephen Vincent Benét's short story which is sort of a New England version of the tale of Faust. Though it was made 70 years ago, the movie remains as a darkly enjoyable movie with the wonderful moments that can both amuse and chill us with the subtle creepiness pervading its rural background. Sure, we are happy to see the soul of an ordinary American luckily saved from the eternal damnation in the end, but, folks, can we deny that we had a fun with Mephistopheles before the obligatory finale?

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Tavernier looks beyond usual suspects

During the Nazi Occupation of France, when the country was governed by the German-controlled Vichy administration, 220 films were made by French filmmakers. Bertrand Tavernier is fascinated by this fact: "None of them was anti-Semitic, pro-German, pro-collaboration, or pro-even Vichy. Except for one film which has two dubious lines, you never had a anti-Semitic remark in the films of that time--even though you had plenty in the 1930s. I wanted to try to understand why."

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