A consistently intelligent (or at least bright), coherently constructed comedy that is on occasion a rather pointed critique of the American education system in the…
In a sheep pasture outside the little town of Parkes in New South Wales stands the pride and joy of Australian astronomy, a radio telescope the size of a football field. Most days it eavesdrops on the stars. In 1969, it gets a momentous assignment: relaying the television signals from the moon that will show Neil Armstrong's one small step for man, one giant leap for mankind.
Parkes is agog. This is the town's shining hour. "The Dish," a smiling human comedy, treats the moon walk not as an event 240,000 miles away, but as a small step taken by every single member of mankind, particularly those in Parkes. Resigned to thinking of themselves as provincials in a backwater, they're thrilled and a little humbled by their role on the world stage. True, NASA is relying on its primary telescope in Goldstone, Calif., and Parkes is only the backup--but still! Mayor Bob McIntyre and his wife, Maisie (Roy Billing and Genevieve Mooy), nervously prepare for visits from the prime minister and the U.S. ambassador. Out at the telescope, Cliff Buxton (Sam Neill), the imperturbable, pipe-smoking scientist in charge of the telescope, steadies his team. There's Glenn (Tom Long), the soft-spoken mathematician. Mitch (Kevin Harrington), in charge of keeping the equipment humming. And Al (Patrick Warburton), the American observer from NASA, whose black horn-rims and foursquare demeanor make him seem like Clark Kent. Patrolling the parameters of the site, prepared to repel foreign invaders and curious sheep, is Rudi the security guard (Tayler Kane), whose sister Janine (Eliza Szonert) is in love with Mitch and effortlessly penetrates Rudi's defenses.
Since we all know Neil Armstrong and his shipmates returned safely from the moon, "The Dish" can't develop suspense over the outcome of the mission. But it's a cliffhanger, anyway, through the ingenious device of making the movie more about Parkes than about the moon. The movie is "inspired by fact" (loosely, I suspect), but who can remember if the historic TV signals were relayed by Parkes or Goldstone? Since we've met the locals in Parkes, we're as eager as they are to have it be them.
But it won't be simple. Director and co-writer Rob Sitch (whose "The Castle" is one of the funniest comedies of recent years) intercuts the drama of the approaching moon walk with the drama of the momentous visit to Parkes by the prime minister and the ambassador. At the observatory, embarrassing technical problems pop up when the town blows a fuse. And at a crucial moment, high gusts of wind threaten to topple the telescope right over onto the sheep.