The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…
Matt Zoller Seitz is the Editor-in-Chief of RogerEbert.com. He is also the TV critic for New York Magazine & Vulture.com, and a finalist for the Pulitzer Prize in criticism.
A Brooklyn-based writer and filmmaker, Seitz has written, narrated, edited or produced over a hundred hours’ worth of video essays about cinema history and style for The Museum of the Moving Image and The L Magazine, among other outlets. His five part 2009 video essay Wes Anderson: The Substance of Style was later spun off into the hardcover book The Wes Anderson Collection. Seitz is the founder and original editor of The House Next Door, now a part of Slant Magazine, and the publisher of Press Play, a blog of film and TV criticism and video essays. He is the director of the 2005 romantic comedy "Home" and the forthcoming science fiction epic "Rabbit of the Sith." He is currently writing memoir titled "All the Things that Remind Me of Her."
An interview with Jürgen Fauth, longtime film critic for About.com, and author of the anthology "Raves."
An installment of comments section Bingo focusing on Christopher Nolan's "Interstellar."
An excerpt from Michael Koresky's new book about the great filmmaker Terence Davies, the Marcel Proust of Liverpool.
Owen Wilson and Wes Anderson remember L.M. "Kit" Carson, who helped them get their start in the movie business.
An appreciation of filmmaker, writer and actor L.M. "Kit" Carson, a singular talent.
An appreciation of Elizabeth Pena.
Bob Fosse's masterpiece "All That Jazz" jumps back and forth through the past and the present, and through memory and fantasy, but it also collects the history of film editing in one story.
An appreciation of the actor's perseverance through age 63 despite depression.
White privilege, lived.