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The Sea of Trees

The Sea of Trees uses depression, cancer and suicide as manipulative devices to tug at heartstrings instead of offering even the slightest insight into the…

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Don't Breathe

Don’t Breathe gets a little less interesting as it proceeds to its inevitable conclusion, but it works so well up to that point that your…

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The Decalogue

On Kieslowski's "The Decalogue," now being released theatrically in restored form and soon on Criterion Blu-ray.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#111 April 18, 2012

Marie writes: Recently, we enjoyed some nice weather and inspired by the sunshine, I headed out with a borrowed video camera to shoot some of the nature trails up on Burnaby Mountain, not far from where I live. I invariably tell people "I live near Vancouver" as most know where that is - whereas Burnaby needs explaining. As luck would have it though, I found a great shot taken from the top of Burnaby Mountain, where you can not only see where I live now but even Washington State across the Canadian/US border...

(click image to enlarge)

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#84 October 12, 2011

Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...

Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)

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My new job. In his own words.

My new voice belongs to Edward Herrmann. He has allowed me to use it for 448 pages. The actor has recorded the audiobook version of my memoir, Life Itself, and my author's copies arrived a few days ago.

Listening to it, I discovered for the first time a benefit from losing my own speaking voice: If I could still speak, I suppose I would probably have recorded it myself, and I wouldn't have been able to do that anywhere as near as well as Herrmann does.

My editor, Mitch Hoffman, suggested a few readers he was confident would do a good job. Herrmann's name leaped up from his email.

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