We Are Your Friends
Friends shouldn’t let friends pay money to see We Are Your Friends.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Roger Ebert's essay on film in the 1978 edition of the Britannica publication, "The Great Ideas Today."
Author Peter Biskind revisits four auteurs from the '70s--Steven Spielberg, Martin Scorsese, Roman Polanski, and Terrence Malick.
Sheila writes: It's less than two weeks until the domestic release of Steve James' documentary about Roger Ebert, "Life Itself." "Life Itself" will hit theaters, as well as be released On Demand, on July 4, 2014. Please check out the exclusive clip on Rogerebert.com, which focuses on the impact Chaz had on Roger's life. "Life Itself" just opened the Hamptons Film Festival, and a QA with Chaz Ebert, Rogerebert.com editor-in-chief Matt Zoller Seitz followed the screening. The QA was hosted Alec Baldwin and Hamptons Film Festival artistic director David Nugent. You can read a transcript here.
In the new book "Crab Monsters, Teenage Cavemen, and Candy Stripe Nurses," Chris Nashawaty tells the story of the amazing life and career of Roger Corman through a collection of interviews, which Nashawaty has put together into a blow-by-blow collage account.
Marie writes: Much beloved and a never ending source of amusement, Simon's Cat is a popular animated cartoon series by the British animator Simon Tofield featuring a hungry house cat who uses increasingly heavy-handed tactics to get its owner to feed it. Hand-drawn using an A4-size Wacom Intuos 3 pen and tablet, Simon has revealed that his four cats - called Teddy, Hugh, Jess and Maisie - provide inspiration for the series, with Hugh being the primary inspiration. And there's now a new short titled "Suitcase". To view the complete collection to date, visit Simon's Cat at YouTube.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
If we said there was a clear throughline from "Bonnie and Clyde" and Richard Donner's "Superman: The Movie," you'd say we were crazy, right? Get ready to eat your words as we prove once again that showbiz works in mysterious ways.
Marie writes: The countdown to Christmas officially begins the day after Halloween, which this year lands on a Wednesday. Come Thursday morning, the shelves will be bare of witches, goblins and ghosts; with snowmen, scented candles and dollar store angel figurines taking their place. That being the case, I thought it better to start celebrating early so we can milk the joy of Halloween for a whole week as opposed to biding adieu to the Great Pumpkin so soon after meeting up again...
Above all it was her personality. Pauline Kael had an overwhelming presence in a conversation. There will no doubt be many discussions of Kael's work and influence and with the publication of Brian Kellow's new biography Pauline Kael: A Life in the Dark, and the Library of America's forthcoming collection of her work.
She was the most powerful, loved and hated film critic of her time, but her work cannot be discussed objectively by simply reading it. She challenges you on every page, she's always in your face, and she functioned as the arbiter of any social group she joined. She was quite a dame.
CANNES, France--John Sayles has two movies in release these days, but he takes a credit on only one of them. "Limbo" is his Cannes premiere, going into U.S. release on Friday. It's a story set in Alaska, that starts as a romance and ends as a cliff-hanger. And the other movie, which you may also have heard of, is "The Mummy."
LOS ANGELES Kurt Russell says that Mel Gibson has a sort of Gary Cooperish quality, a kind of inbred honesty that comes across no matter what kind of role he's in. That quality is so strong that it even causes some confusion in "Tequila Sunrise," the new thriller now at Chicago area theaters in which Gibson plays a retired drug dealer, and Russell plays the narc who was his boyhood friend.
Can it possibly be that time again? Can 12 months have passed since the last ceremony? Are the crowds gathering, ready to boo and hiss and sit on their hands? Then let’s bring out the 15th annual Movie Disaster Awards! May I have the envelope, please? (The one marked “Postage Due.”)