Mr. Peabody & Sherman
This adaptation of Jay Ward's 1960s cartoon is sweet and bombastic, clever and weirdly reactionary.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Nick Schager ponders the new crop of action directors, who bring 'serious film' cred to the genre, but can't seem to show personality where it counts the most.
Harrison Ford and the rest of the cast of "Ender's Game" just want to talk about their movie, but at the Comic-Con press conference, other topics inevitably came up.
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
by Roger Ebert
By Roger Ebert
TORONTO, Ont. -- It’s not often you see films that are perfect. I have just seen two of them here at the Toronto Film Festival, and two others that are extraordinary, and a documentary that is spellbinding. Do I love everything? Not at all. I just happened to have an ecstatic period of moviegoing, that’s all, and that’s enough.
TORONTO, Ont. -- Oh, what a sad man, and oh, what a sad journey he endures to find inner peace. Jeremy Podeswa's "Fugitive Pieces," which opened the 32nd Toronto Film Festival here Thursday night, is a rare film that deals without compromise with the long, dark lifetime of the soul.
TORONTO, Ont. -- And now the ecstasy and madness begins. The 32nd Toronto Film Festival opens Thursday with no fewer than 15 films, and that’s before it gets up to speed. The Trail Mix Brigade is armed with their knapsacks, bottled water, instant snacks, text messengers and a determination to see, who knows, six, seven, eight films a day.
I have before me a schedule of the 2007 Toronto Film Festival, which opens Thursday and runs 10 days. I have been looking at it for some time. I am paralyzed. There are so many films by important directors (not to mention important films by unknown directors), that it cannot be reduced to its highlights. The highlights alone, if run in alphabetical order, would take up all my space.
LOS ANGELES - "Crash," a film about the complexities of racism in the American melting pot, was named the year's best picture here Sunday at the 78th Academy Awards. It tells interlocking stories about many of America's ethnic groups, and cops and criminals, the rich and the poor, the powerful and powerless, all involved in racism. The film's circular structure shows how a victim on one day could be a victimizer on another, and doesn't let anyone off the hook.
TORONTO, Ont. - Although the Toronto Film Festival lacks an official competition, lots of awards are handed out on closing day. As they were announced Saturday, I felt like I was standing on the pier waving sadly as the ship sailed. Although I saw 43 of this year's films, either here or at Telluride, Cannes or Sundance, I managed for the first time to get through the entire festival without having seen a single film that won a prize.