Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
FFC Gerardo Valero returns to "The Shawshank Redemption" to investigate how it remains the #1 film on IMDb.
"The Walking Dead" did well enough for AMC that they spawned a prequel. Is "Fear the Walking Dead" worth the effort?
An interview with Sam Viviano, head of movie parodies at Mad Magazine.
Written and directed by Frank Darabont, TNT's noir mini-series is a remarkably accomplished and thoroughly enjoyable piece of work.
A remembrance of screenwriting guru Syd Field.
Marie writes: This week's Newsletter arrives a day early and lighter than usual, as come Tuesday morning, I'll be on a Ferry heading to Pender Island off the West Coast, where I've arranged to visit old friends for a few days and enjoy my first vacation in two years; albeit a brief one. No rest for the wicked. :-)
Raging Bull, Henry V and Heat are primary examples of films acclaimed on their releases and steadily more since then. But this is far from being the case with Mary Shelley's Frankenstein: slaughtered by the majority of critics in 1994, when it was released, the movie by British director Kenneth Branagh didn't please the audience either, becoming an embarrassing box office flop in the career of its director, which had so far been in ascension.
Even the surprising casting of Robert De Niro in the role of the "monster" wasn't enough to attract the attention of the audience, which therefore lost the opportunity to witness yet another immensely sensitive performance by the actor - and I use the word "monster" in quotes because DeNiro may have played many in his brilliant career (Louis Cyphre, Al Capone, Max Cady and even Jake La Motta come to mind), but the creature conceived by British writer Mary Shelley certainly isn't one of them. At least, not in Branagh's beautiful version.
Actress Jill Clayburgh, whose portrayal of women in the 1970s helped define and and reshape the role of leading lady, died last week of chronic lymphocytic leukemia at her home in Lakeville, Connecticut; she was 66. She's best known for her Academy Award nominated roles in "An Unmarried Woman" (Winner: Best Actress Cannes 1978) and "Starting Over." Roger has remembered her on his site: Jill Clayburgh: In Memory.
Q. The casting of the original "Gone With the Wind" created a world-wide frenzy among movie fans. Who should star in "Scarlett," the TV miniseries? A. I hope they choose a real actress, and not one of the transparent TV beauties with a high Q rating. True, most of the top movie actresses refuse to work in TV, but given the high profile of this project and the $8 million already paid for the rights, this should be the sort of project designed to change their minds.