Nerve wants to be a cautionary tale about the perils of desiring fame through social media, but it isn’t willing to go to the darker…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look at some of the narrative, documentary, and midnight titles set to premiere at Sundance 2016.
A report from the 2014 Los Cabos Film Festival.
A preview of the 2014 Chicago International Film Festival.
Seasonal anticipation: as 2013 debuted, many were feeling it. The 28th iteration of the Santa Barbara International Film Festival, aka "SBIFF," was on the wind, with jazzed moviegoers soon to converge elbow-to-elbow in a familiar, even familial, and happy bustle on downtown's State Street.
I was among the excited, as this would be my third year covering the festival. And for me, extra sweetening would be provided by the tribute to Daniel Day-Lewis, the oft-reticent acting genius whose reanimation of Abraham Lincoln seemed certain to bring another Best Actor Academy Award -- his 3rd, making him the only actor to surpass Marlon Brando, who received 2.
When: Through Oct. 25Where: Screenings at AMC River East 21, 322 E. Illinois St. (unless noted).
When: Through Oct. 25
Now I understand why Cannes 2009 opened with Pixar's "Up." They knew what was coming. Has there ever been a more violent group of films in the Official Selection? More negative about humanity? More despairing? With a greater variety of gruesome, sadistic, perverted acts? You know you're in deep water when the genuinely funniest film in the festival is by a Palestinian in today's Israel, whose material includes a firing squad, a mother with Alzheimers, and a hero with dark circles under his eyes who never utters a single word.
And most of these films were not over quickly. Not that there's something wrong with a film running over the invisible 120-minute finish line, if it needs to, and is a good film. I regret that not all the 21 films in this year's selection were good. And that's not just me. The daily critics' panel for Le Film Francais was as negative as I've seen it, even giving a pas de tout ("worthless") to a film I would defend, von Trier's extreme but courageous "Antichrist."
In the past I have felt the elation of discovery at Cannes, seeing for the first time films like Kielowski's "Red," Lee's "Do the Right Thing," Coppola's "Apocalypse Now," Spielberg's "E.T."--and premieres by Kurosawa, Fellini, Bergman, Chen Keige, Fassbinder, Altman, Herzog, Scorsese. Titans bestrode the earth in those days. This year the only ecstatic giants, love them or hate them, were Lars von Trier and Quentin Tarantino.
Michael Barker is not only a prime moving force in indie film distribution, but one of the funniest raconteurs alive. He and Tom Bernard, also a funny man, have been the co-presidents of Sony Pictures Classics since 1992, which qualifies them as the Methuselahs among studio heads. Their films have won 24 Academy Awards and 101 nominations. He knows everybody and takes little mental notes, resulting in an outpouring of stories I could tell you, but then I would have to shoot you.
Like many funny people, he exerts a magnetic attraction for funny experiences. He attracted one just the other day, when he went to see the new Paul Verhoeven film. "I'm looking at the screening schedule and I can't believe my eyes," he was telling us the other night. This was at dinner on the Carlton Terrace with Richard and Mary Corliss, Chaz, and our granddaughter Raven. "I'd never heard anything about this. I mean, Verhoeven just made 'The Black Book,' for chrissakes!
"It's titled 'Teenagers,' and it's screening in one of those little marketplace theaters in the Palais. I figure it must be a rough cut under another title or something. The place is jammed. People are fighting to get in. I'm able to get a seat. There are people sitting in the aisles, standing against the wall, flat on their backs on the floor in front of the screen. You can't breathe.
May 15, 2009--The most gutsy, powerful film I've seen here so far is without doubt "Precious" by African-American director Lee Daniels. "Precious" already had its world premiere at Sundance in February, where it was greatly acclaimed by audiences and critics alike. If the comments I've heard today are any indication, it promises to be an even bigger success in Cannes.
Based on the novel Push, by Sapphire, "Precious" is the story of a Harlem teenager who is severely abused by her mother, habitually raped and twice impregnated by her father, and treated like garbage by just about everyone in her life. The one thing Precious's abusers don't succeed in killing is her imagination, and for instance, while being raped, in her mind's eye she sees herself making a grand entrance at a film premiere. The pictures in her photo album talk to her, and this large, awkward girl looks in the mirror and sees a beauty queen with cascading blonde hair. This is not a preachy film, but one that grabs you from beginning to end as Precious comes back from the edge of desolation to discover the immovable force of her own willpower.
After seeing "Precious" last night at an invitational press screening, this afternoon I attended the press roundtable interview event with director Lee Daniels, screenwriter Damien Paul, and actors Gabourey Sidibe, Mariah Carrey, Lenny Kravitz, and Paula Patton. It was held at the outdoor restaurant Beach VitaminWater, which I can't say without laughing. Typical of these events, a lavish lunch is served, and the talent is brought in.
The programming director of the Gene Siskel Film Center in Chicago is blogging from Cannes for us.
Thursday, May 14--You can't beat the weather here in Cannes. After the cold rain and dark skies in Frankfurt, where I changed planes yesterday, the perfect, summery temperatures and extravagant displays of flowers makes this town seem even more like a Mediterranean paradise than usual.
The festival kicked off to the world Wednesday night with the first red-carpet walk by the jury, and the Pixar folks with their 3-D animated feature "Up", but for most of us in film-industry jobs, the festival is already well underway with press screenings, market screenings, and press conferences.
CANNES, France -- A Danish film set in America but filmed in Sweden with stars from Iceland, France and the United States won the coveted Palme d'Or here Sunday night, at the 53rd Cannes Film Festival. Lars Von Trier's "Dancer In The Dark" picked up the top prize even though it got the most negative review in the recent history of Variety, the show biz bible. And its star, the Icelandic pop singer Bjork, won as best actress even though von Trier insists she is not an actress at all.