The Kid Who Would Be King
The Kid Who Would Be King is good where it counts most.
AMC's re-do of the classic British TV series "The Prisoner" gets under way Sunday night, following the conclusion of "Mad Men"'s third season last week. The new version stars Jim Caviezel as Number Six and Ian McKellen as Number Two. (The great Leo McKern played Number Two a couple times in the original series, and there were some other repeats as I recall, but generally there was a new Number Two each week.)
From the teasers it appears that the new version (tagline: "You Only Think You're Free") takes place in a desert suburb of Dubai rather than a quaint seaside village. (Actually, the new "Prisoner" was shot in Cape Town, South Africa, and Swakopmund, Namibia.) The big white bouncy billowy security devices are back. But I'm most interested in the opening credits sequence, because I became so enamored with the ritualistic nature of the earlier one, as you can see from the following obsessive video analysis originally published in 2008:
(Rescued and reposted months after the death of iKlipz caused all my video essays to disappear from the web. Originally published -- with more on "The Prisoner" here.)
A look back through Christian Bale's filmography, highlighting five roles that define his career.
Scout Tafoya's video essay series on maligned masterpieces continues with a celebration of Shane Black's The Predator.
This message came to me from a reader named Peter Svensland. He and a fr...