Glass is a misfire, and it’s the kind of depressing misfire that hurts even more given what it could have been.
By George Anthony
Maybe Simone Signoret was right after all. The title of her 1978 autobiography was La nostalgie n'est plus qu'elle était ("Nostalgia Isn't What It Used To Be".)
I remember her in twilight, sitting outside the Colombe d'Or, the legendary restaurant in her home village of St.Paul de Vence, clutching her shawl, hunched over like a little old French lady.
Scout Tafoya's video essay series on maligned masterpieces continues with a celebration of Shane Black's The Predator.
A look back through Christian Bale's filmography, highlighting five roles that define his career.
This message came to me from a reader named Peter Svensland. He and a fr...