War Machine
Starts like a stereotypical military movie but evolves into something much weirder, perhaps even entertaining.
Starts like a stereotypical military movie but evolves into something much weirder, perhaps even entertaining.
Despite strong performances, Bill Lawrence’s latest is too detached from reality for its own good.
What truly engages throughout “Vladimir” is the contrast between what is unlawful, what is unethical, and what is unsavory.
“The Hunt” is, to put it generously, not very good.
Even the best classically-trained theatre actors can only do so much with poor writing.
An appreciation of Mike Flanagan’s breakout film on its tenth anniversary.
ABC’s “RJ Decker” delivers exactly what you want out of this kind of show.
Curl-up-on-the-sofa comfort viewing at its finest.
Confidently written, acted, and directed, HBO’s “DTF St. Louis” could be called a suburban noir.
Mesmerizing from the first moment to the last, yet another title of note in what remains one of the most incredible filmographies of our time.
It’s clever again, emotional again, and surprising again.
Season 2 of Apple TV’s hit delivers on the promise of its freshman outing.
“The Gray House” keeps us involved, from the opening scene-setter through the obligatory coda telling us what happened to the main characters who were based on real-life historical figures.
A consistently funny show that could stand alongside Carlock’s previously acclaimed creations.
An important part of quality is understanding the audience, moment, and subject matter. “CIA” does none of that.
There are a few pulpy delights here and there, but this particular apocalypse moves a bit too slowly.