Sasquatch
A modern true-crime doc of a rare breed: rarely have they felt as nerve-racking, dangerous, and truly scary.
A modern true-crime doc of a rare breed: rarely have they felt as nerve-racking, dangerous, and truly scary.
A review of the new PBS docuseries Philly D.A., which premiered first at Sundance and airs on 4/20.
A very watchable, albeit slightly shallow, exploration of how femininity and motherhood intertwine and toxify.
A review of HBO’s Mare of Easttown, starring Kate Winslet, which premieres on Sunday, April 18th.
Spy City is sometimes entertaining and often well-acted, but the missteps of its finale call into question its overall intentions.
A review of the new Disney+ series Big Shot, which premieres April 16.
A review of the new ABC drama loosely based on the life of Erin Brockovich, which has a great ensemble but has no idea what to do with it.
If you finish Exterminate All the Brutes without re-examining the hundreds of hours spent in history classes, then you didn’t pay attention to Peck’s lesson.
The latest and greatest on Blu-ray, including Barb and Star Go to Vista Del Mar, Monster Hunter, News of the World, Soul, and Criterion releases of Defending Your Life and Secrets and Lies.
It’s interesting because the case and its many players are interesting, but it’s poorly made.
A review of the new Kung Fu, premiering tonight on The CW.
A review of the new HBO series The Nevers, premiering April 11.
A review of the TBS comedy series Chad, premiering on April 6.
A review of the Amazon series Them, which premieres on April 9.
A review of HBO Max’s Made for Love, which premieres today, April 1st.
The people behind this eight-episode miniseries about a serial killer never really figured out how to tell this story, and that sense is amplified by an incessant crosscutting chronologically that only muddles the piece’s tone and momentum, leaving the whole project at a frustrating distance.
The contours of Olson’s modestly shaped documentary reveal anxiety, panic, and indulgence.
A review of the new CBS series that premieres on April 1.
A feature on the new Criterion set for one of the best filmmakers in the world.