Sundance 2019: Sweetheart, Corporate Animals
A review of two more Midnight movies from Sundance, one great and one not.
A review of two more Midnight movies from Sundance, one great and one not.
A review of three docs that played the Sundance Film Festival.
A review of two political films from this year’s Sundance. One is great, one is not.
A review of three horror films from the Sundance 2019 Film Festival.
A 2019 Ebert Fellow on the opening night film, Native Son.
On three bio-docs from Sundance about David Crosby, Leonard Cohen, and Anton Yelchin.
An interview with Julius Onah, director/co-writer of “Luce.”
A dispatch of three reviews from Sundance, including the latest by Under the Shadow director, Babak Anvari.
A review of Gurinder Chadha’s Bruce Springsteen-inspired “Blinded by the Light,” which had its world premiere Sunday night at the Sundance Film Festival.
Reviews of three character-driven U.S. Dramatic competition films that had their world premieres at the Sundance Film Festival.
A table of contents featuring work written by Ebert Fellows.
A table of contents for all of our Sundance 2019 coverage.
A Sundance 2019 dispatch featuring reviews of “Dolce Fine Giornata,” “Divine Love,” “Monos,” “Queen of Hearts.”
A review of two Saturday night Premieres from Sundance.
A review of two more Sundance competition films from 2019.
A review of two premieres from Sundance, including films starring Emma Thompson and Hillary Swank.
A review of three comp films from the first full day of Sundance 2019.
Reviews of two vastly different crowd-pleasers that premiered at Sundance, Troop Zero and Give Me Liberty.
Reviews of three documentaries that premiered at Sundance on Friday evening.
An interview with Jennifer Kent, writer/director of “The Nightingale.”