Cannes 2021 Video #5: Bergman Island, Flag Day, Stillwater
Our latest video dispatch from Cannes includes coverage of new films by Sean Penn and Tom McCarthy.
Our latest video dispatch from Cannes includes coverage of new films by Sean Penn and Tom McCarthy.
Ben Kenigsberg reviews A Hero, the latest film from A Separation director Asghar Farhadi, and Deception, a French adaptation of Philip Roth.
On three films that premiered at Cannes this week, including the latest from Ari Folman and Tom McCarthy.
Ben Kenigsberg delivers a dispatch from France on The French Dispatch, Wes Anderson’s latest, and on JFK Revisited: Through the Looking Glass, Oliver Stone’s latest examination of the Kennedy assassination.
An updating table of contents for all of our Cannes 2021 coverage.
Chaz Ebert’s fourth video dispatch from the 2021 Cannes Film Festival features part two of her chat with Jason Gorber about this year’s selections.
Chaz Ebert’s third video dispatch from the 2021 Cannes Film Festival features part one of her chat with Jason Gorber about this year’s selections.
A remote dispatch covering three films from the 2021 Cannes Film Festival, including the first film from Bangladesh chosen for the program.
Ben Kenigsberg reviews two films about the creative process, Mia Hansen-Løve’s Bergman Island and Ryusuke Hamaguchi’s Drive My Car, from Cannes.
Ben Kenigsberg reviews Sean Penn’s Flag Day from Cannes, along with Catherine Corsini’s The Divide and Juho Kuosmanen’s Compartment No. 6.
An article about the judges and criteria for the No Malice Film Contest
An article revealing the winners of the inaugural No Malice Film Contest.
A look at three documentaries that premiered at Cannes about Val Kilmer, Jane Birkin, and, well, a cow.
Ben Kenigsberg reviews Paul Verhoeven’s Benedetta and Joachim Trier’s The Worst Person in the World from the Cannes Film Festival.
From Cannes, Ben Kenigsberg reviews new films from Joanna Hogg, Kogonada, Nadav Lapid, and Mahamat-Saleh Haroun.
Chaz Ebert’s second video dispatch from the 2021 Cannes Film Festival covers the jury press conference and the opening night premiere of Leos Carax’s “Annette.”
Ben Kenigsberg looks at four new films at Cannes, including Todd Haynes’s Velvet Underground documentary and an austere biopic of a Japanese soldier who refused to acknowledge WWII’s end.
Ben Kenigsberg reviews Leos Carax’s Annette, a musical conceived by the band Sparks that opened this year’s Cannes.
A preview of the 2021 Cannes Film Festival, which starts next week.