Cannes, Day Ten: Olivier Assayas’ “Clouds of Sils Maria”
The Competition section of the 2014 Cannes Film Festival ends with Olivier Assayas’ “Clouds of Sils Maria” with Juliette Binoche, Kristen Stewart, and Chloe Grace Moretz.
Festivals & Awards
Cannes: Critics’ Week winner “The Tribe” and Un Certain Regard winner “White God,” plus the 20th anniversary of “Pulp Fiction”
The Ukrainian Critics’ Week winner deserves its accolades.
Cannes, Day Nine: “Leviathan,” “Misunderstood”
Day nine of the Cannes Film Festival finds our reporter covering Leviathan and Asia Argento’s Misunderstood.
Cannes, Day Nine: Ken Loach’s “Jimmy’s Hall”
A Cannes reporter sees little value in “Jimmy’s Hall,” the latest drama from Ken Loach.
Polish Lenser Brings Immediacy to “Refugiado,” Diego Lerman’s latest
Michael Oleszczyk reports on a discovery in the Quinzaine de Realisateurs section at Cannes this year: Diego Lerman’s “Refugiado.”
Video: Cannes Premieres of “Life Itself,” “Foxcatcher,” and “The Homesman”
Chaz Ebert’s latest video reports on the Cannes premieres of “Foxcatcher,” “The Homesman,” “Mr. Turner,” and “The Wonders,” while offering an extended report on the emotional screening of “Life Itself.”
Cannes: John Boorman’s “Queen and Country” and Xavier Dolan’s “Mommy”
Boorman and Dolan depict two very different experiences of adolescence.
Cannes, Day Eight: Jean-Luc Godard’s “Goodbye to Language”
Barbara Scharres is back with a Cannes report on the premiere of Jean-Luc Godard’s 3D “Goodbye to Language.”
Cannes, Day Eight: “The Search”
Our Cannes reporter sees critical icebergs ahead for Michel Hazanavicius’ “The Search.”
Cannes: Ryan Gosling’s “Lost River” earns derision, but dazzles too
Ryan Gosling’s feature directorial debut is hardly the “disasterpiece” detractors claim.
Cannes, Day Seven: “The Salt of the Earth,” “In the Name of My Daughter”
A day-seven report from Cannes on Wim Wenders’ The Salt of the Earth and Andre Techine’s In the Name of My Daughter.
The Best of the d’Ors
A ranking of the ten best winners of the Palme d’Or before 2014 adds a new film to the exclusive club.
An Appreciation of “La Reine Margot” on its 20th Anniversary
20 years after it debuted at Cannes, a 4K restoration of the director’s cut of “La Reine Margot” finally makes its way to the United States.
Cannes, Day Seven: “Two Days, One Night,” “Coming Home”
The 2014 Cannes Film Festival continues with reports on the Dardennes’ “Two Days, One Night” and Zhang Yimou’s “Coming Home.”
Cannes: “The Kindergarten Teacher,” “Beautiful Youth,” and “It Follows”
New films from Israel and Spain address a changing world for kids and young adults.
Cannes, Day Six: “Still the Water,” “A Girl at My Door,” “Bird People”
A day-six report from Cannes on Still the Water, A Girl at My Door, and Bird People.
Cannes Flashback: Hollywood Plays It Safe, Sorry
Cannes Flashback #7: Hollywood Plays It Safe, Sorry
Cannes Flashback: Bold and Beautiful Show Their Cannes-Do Spirit
Cannes Flashback #6: Bold and Beautiful Show Their Cannes-Do Spirit
