We Exist: The Female Horror Directors of 2014
A look at female-directed horror films of 2014, including “The Babadook,” “The Strange Color of Your Body’s Tears” and “Sleepwalker.”
A look at female-directed horror films of 2014, including “The Babadook,” “The Strange Color of Your Body’s Tears” and “Sleepwalker.”
Bill Cosby: fame, narcissism and sexual violence; Chris Kyle’s unverifiable legacy; Godard’s rarest film; The last true hermit; Why “Unbroken” tells the wrong tale of triumph.
An appreciation of Joseph Sargent, Director of many classic television and theatrical films, including “The Taking of Pelham 123.”
An analysis of “Leviathan” and interview with its director.
A letter to Angelina Jolie about the casting of her upcoming take on “Cleopatra.”
“Legend of Korra” is subversive; 50 underground filmmakers; How headlines change the way we think; The millennial job paradox; Michelle MacLaren is the best director on TV.
A piece on cinema of 2014 that addressed racial issues in the year after such progress with films like “12 Years a Slave.”
Hollywood’s toxic addiction to franchises; Looking back on “Wolf of Wall Street”; “Avatar” left no pop culture footprint; Elf on the Shelf is dangerous; North Korea is not funny.
Did North Korea order cyberattack on Sony?; The prestige freak show; “Hunger Games” is dangerous; The strangeness of “Gone with the Wind”; Alfred Hitchcock’s final days.
A piece on the 1000-week run of “Dilwale Dulhania Le Jayenge.”
Some thoughts on the hit podcast “Serial”.
Lists from our critics and contributors on the best of 2014.
The ten best films of 2014, as chosen by the film critics of RogerEbert.com.
Roger Ebert’s review of Jennifer Arnold’s heartwarming 2010 documentary, now available on Hulu.
“California Split” 40 years later; “Mommy” is my “Boyhood”; The vanishing male worker; How “Lord of the Rings” destroyed the fantasy genre; Caril Fugate on “Badlands.”
An analysis of recent faith-based releases, including “God’s Not Dead” and “Heaven Is For Real.”
An excerpt from “Asghar Farhadi: Life and Cinema” by Tina Hassannia.
An excerpt from the book “Eat, Drink & Remarry” by Margo Howard.
An oral history of “Boogie Nights”; Douglas Trumbull’s latest project; Reassessing “Zero Dark Thirty”; Five great foreign titles from 2014; Paul Thomas Anderson on “Inherent Vice.”
Death of mid-budget cinema; Lena Dunham speaks out; Antonio Sanchez on “Birdman”; 25 best superhero movies since “Blade”; Men need to stop calling women crazy.